{"id":7748,"date":"2014-06-05T21:10:37","date_gmt":"2014-06-05T21:10:37","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=7748"},"modified":"2014-06-05T21:10:37","modified_gmt":"2014-06-05T21:10:37","slug":"edge-of-tomorrow","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=7748","title":{"rendered":"Edge of Tomorrow"},"content":{"rendered":"

\"584146.jpg-r_640_600-b_1_D6D6D6-f_jpg-q_x-xxyxx\"<\/a><\/p>\n

De\u00a0:<\/strong> Doug Liman<\/p>\n

Avec\u00a0<\/strong>Tom Cruise, Emily Blunt, Brendan Gleeson, Bill Paxton<\/p>\n

Ann\u00e9e\u00a0:<\/strong> 2014<\/p>\n

Pays\u00a0:<\/strong> Etats-Unis<\/p>\n

Genre\u00a0:<\/strong> Action, Science-Fiction<\/p>\n

R\u00e9sum\u00e9\u00a0:<\/strong><\/p>\n

Dans un futur proche, des hordes d\u2019extraterrestres ont envahi la Terre.\u00a0Le commandant William Cage, qui n’a jamais combattu de sa vie, est envoy\u00e9, sans la moindre explication, dans ce qui ressemble \u00e0 une mission-suicide. Il meurt en l’espace de quelques minutes et se retrouve projet\u00e9 dans une boucle temporelle, condamn\u00e9 \u00e0 revivre le m\u00eame combat et \u00e0 mourir de nouveau ind\u00e9finiment\u2026<\/p>\n

Avis\u00a0:<\/strong><\/p>\n

Un an tout juste apr\u00e8s la sortie de son dernier film, Oblivion<\/strong>, Tom Cruise<\/em> revient sur nos \u00e9crans avec une nouvelle \u0153uvre de SF au pitch tr\u00e8s ambitieux. Produit par la Warner et adapt\u00e9 du roman \u00ab\u00a0All you Need is Kill\u00a0<\/strong>\u00bb du Japonais Hiroshi Sakaruzaka<\/em>, Edge of Tomorrow<\/strong> \u00e9tait l’un des films de SF les plus attendus de 2014. R\u00e9alis\u00e9 par Doug Liman<\/em> (Mr & Mrs Smith<\/strong>, La M\u00e9moire dans la Peau<\/strong>), le film b\u00e9n\u00e9ficie d’un budget cons\u00e9quent de 178M de dollars et est distribu\u00e9 sur les \u00e9crans europ\u00e9ens deux jours avant la sortie am\u00e9ricaine, en esp\u00e9rant un r\u00e9sultat \u00e0 la hauteur des attentes plac\u00e9es en lui.<\/p>\n

\"Edge<\/a><\/p>\n

Apr\u00e8s une ann\u00e9e 2013 riche en pellicules SF, Gravity<\/strong>, Star Trek<\/strong>, Iron Man 3<\/strong>, La Strat\u00e9gie Ender<\/strong>, 2014 se veut un cru aussi all\u00e9chant, si ce n’est plus, que l’ann\u00e9e \u00e9coul\u00e9e. Apr\u00e8s les sorties (tr\u00e8s) remarqu\u00e9es et r\u00e9ussies de Godzilla<\/strong> et X-Men<\/strong>, Edge of Tomorrow<\/strong> est attendu au tournant par les fans de SF. Si la d\u00e9cision de placer Doug Liman<\/em> derri\u00e8re la cam\u00e9ra peut laisser dubitatif, sa seule \u0153uvre de science-fiction \u00e9tant le pas g\u00e9nial Jumper<\/strong>, la bande-annonce du film annonce un r\u00e9sultat suffisamment explosif et original pour faire oublier toute d\u00e9cision de casting.<\/p>\n

Venons-en au fait\u00a0: le film. S’ouvrant de fa\u00e7on assez banale sur un encha\u00eenement de journaux t\u00e9l\u00e9 afin de r\u00e9sumer le contexte dans lequel se place le film (une invasion alien, de nombreuses d\u00e9faites, une arme r\u00e9volutionnaire pour les combattre, une premi\u00e8re victoire), on d\u00e9couvre le personnage de William Cage, commandant de l’arm\u00e9e des Etats-Unis et responsable de la communication. Beau parleur faisant attention \u00e0 son apparence, Cage a tout du grad\u00e9 bien au chaud derri\u00e8re son bureau. Mais, suite \u00e0 un refus de suivre un ordre, le voil\u00e0 propuls\u00e9 au milieu de ce qu’il a toujours voulu \u00e9viter\u00a0: le combat. Peu de temps apr\u00e8s avoir pos\u00e9 le pied sur la plage de d\u00e9barquement, il d\u00e9c\u00e8de bien mis\u00e9rablement. Et c’est l\u00e0 que le film commence. Renvoy\u00e9 \u00e0 son arriv\u00e9e au camp d’entra\u00eenement, Cage va d\u00e9couvrir qu’il revit la m\u00eame journ\u00e9e en boucle \u00e0 chaque fois que son c\u0153ur arr\u00eate de battre.<\/p>\n

\"Edge<\/a><\/p>\n

Un postulat qui n’est pas sans rappeler, bien entendu, l’histoire d’Un Jour sans Fin <\/strong>(1993) du regrett\u00e9 Harold Ramis<\/em>. Mais l\u00e0 o\u00f9 le premier se servait de cette boucle temporelle afin de faire une introspection de son personnage, le second l’utilise comme outil -si ce n’est une arme- contre l’invasion alien. V\u00e9ritable d\u00e9fi au niveau de la mise en sc\u00e8ne, Doug Liman<\/em> parvient n\u00e9anmoins \u00e0 livrer un film bien construit, o\u00f9 le spectateur ne se perd pas dans l’histoire et, mieux encore, o\u00f9 il ne se lasse pas de ces nombreux retours en arri\u00e8re. Acc\u00e9l\u00e9rant les multiples tentatives d’\u00e9vasion ou les nombreuses morts, Liman <\/em>songe \u00e0 s’attarder sur les passages narratifs, les entra\u00eenements du personnage, mais aussi sur les doutes qui grandissent dans l’esprit de Cage (au point de tenter une d\u00e9sertion), superbement interpr\u00e9t\u00e9 par Tom Cruise<\/em> (comme d’habitude).<\/p>\n

Accompagn\u00e9 de Rita Vrataski, v\u00e9ritable l\u00e9gende parmi les soldats, ma\u00eetre d\u2019\u0153uvre de la victoire retentissante de Vienne, Cage va acqu\u00e9rir de l’exp\u00e9rience sous sa direction mais aussi peaufiner leur strat\u00e9gie de combat pour le maintenir en vie \u00e0 ses c\u00f4t\u00e9s sur le champ de bataille. Plus qu’un compagnon d’arme, le personnage de Rita va prendre de plus en plus de place dans le c\u0153ur de Cage, jusqu’\u00e0 lui apporter plus de cr\u00e9dit qu’\u00e0 l’invasion alien qui plane au-dessus de leur t\u00eate. L’histoire d’amour latente entre les personnages aurait n\u00e9anmoins m\u00e9rit\u00e9e bien plus de travail et d’approfondissement de la part des sc\u00e9naristes.<\/p>\n

\"Edge<\/a><\/p>\n

Outre l’aspect introspectif qu’offre l’histoire, on est devant une \u0153uvre de SF de qualit\u00e9 (qui d\u00e9bo\u00eete, quoi). Les \u00ab\u00a0mimic\u00a0\u00bb (j’accorde qu’ils auraient pu trouver meilleure appellation), mi-organique mi-m\u00e9canique, sont de v\u00e9ritables machines \u00e0 tuer. Leur aspect et leur mouvement sont incroyablement originaux et donnent lieu \u00e0 d’\u00e9normes bains de sang. Les sc\u00e8nes de combat, bien moins pr\u00e9sentes que ce que pouvait laisser imaginer la bande-annonce, se r\u00e9v\u00e8lent d’une efficacit\u00e9 imparable. La seule grande ombre au tableau, c’est la fin. Travail b\u00e2cl\u00e9 ou manque d’inspiration sc\u00e9naristique (bien qu’\u00e9tant une adaptation, ils se devaient fid\u00e8les \u00e0 l\u2019\u0153uvre originale), il semblait n\u00e9cessaire de trouver une fin plus en accord avec le reste du r\u00e9cit mais aussi plus logique (en d’autres termes, faisant moins happy-ending).<\/p>\n

Si Edge of Tomorrow<\/strong> ne signe pas une r\u00e9volution dans le monde de la SF, le film reste malgr\u00e9 tout une \u0153uvre de tr\u00e8s grande qualit\u00e9. Ne se perdant jamais dans les nombreuses boucles temporelles, b\u00e9n\u00e9ficiant d’une r\u00e9alisation efficace et d’une interpr\u00e9tation juste de la part de Tom Cruise<\/em> et Emily Blunt<\/em>, le film vogue entre un l\u00e9ger (bon) comique et des sc\u00e8nes d’action qui envoient. Un film \u00e0 ne pas rater en tout cas\u00a0!<\/p>\n

Note\u00a0: 17\/20\u00a0<\/strong><\/p>\n

[youtube]https:\/\/www.youtube.com\/watch?v=7KhLeb2aEig[\/youtube]<\/p>\n

Par Crowley<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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