{"id":7193,"date":"2014-05-15T16:30:59","date_gmt":"2014-05-15T16:30:59","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=7193"},"modified":"2014-05-15T16:30:59","modified_gmt":"2014-05-15T16:30:59","slug":"marilyn-manson-holy-wood","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=7193","title":{"rendered":"Marilyn Manson – Holy Wood"},"content":{"rendered":"

\"2011772_MarilynManson-HolyWood\"<\/a><\/p>\n

Avant d\u2019\u00e9couter cet album, il est important de se remettre dans le contexte de l\u2019\u00e9poque. Nous sommes en 2000. L\u2019ann\u00e9e pr\u00e9c\u00e9dente, deux adolescents commettent un v\u00e9ritable massacre en tuant 13 personnes et en blessant des dizaines d\u2019autres \u00e0 l\u2019\u00e9cole secondaire de Columbine. Apr\u00e8s avoir conclu que ce tragique accident \u00e9tait d\u00fb \u00e0 un exc\u00e8s de jeux vid\u00e9o et de films violents, un autre bruit se propage, celui que les tueurs furent inspir\u00e9s par les textes haineux de Marilyn Manson<\/strong>. Celui-ci devient la b\u00eate noire de toute l\u2019Am\u00e9rique. Manson<\/strong> est bless\u00e9 de tout ce qui se dit, et l\u2019on sent dans cet album toute la tristesse, la rage et la col\u00e8re qu\u2019\u00e0 l\u2019ant\u00e9christ superstar pour ce pays.<\/p>\n

D\u2019entr\u00e9e de jeu, on se rend compte qu\u2019on ne va pas faire dans la dentelle. Ici, plus question du strass et des paillettes de Mechanicals Animals<\/strong>, son pr\u00e9c\u00e9dent opus. Non, retour dans la crasse, la violence et les textes ultra provocateurs. En effet, les th\u00e8mes principaux de cette galette sont Dieu, la mort, le culte des armes \u00e0 feu ou encore les m\u00e9dias. Des th\u00e8mes chers \u00e0 l\u2019Am\u00e9rique puritaine qui a chass\u00e9 le R\u00e9v\u00e9rend.<\/p>\n

Comme sur Antichrist Superstar<\/strong>, Holy Wood<\/strong> nous conte une histoire. Celle d\u2019un habitant de la \u00ab\u00a0vall\u00e9e de la mort\u00a0\u00bb se r\u00e9voltant contre Holy Wood, endroit o\u00f9 vivent les \u00ab\u00a0Beautiful People\u00a0\u00bb. Les m\u00e9dias s\u2019accaparent de cette histoire, d\u00e9truisent son combat, ce qu\u2019il n\u2019accepte pas et fini par se suicider.<\/p>\n

D\u00e8s le premier morceau, nous sommes plong\u00e9s dans le bain\u00a0: <\/em>\u00ab\u00a0Godeatgod<\/em>\u00a0\u00bb (jeu de mot avec l\u2019expression \u00ab\u00a0dog eat dog\u00a0\u00bb qui signifie \u00ab\u00a0loi du plus fort\u00a0\u00bb) qui sonne comme une v\u00e9ritable lettre de menace \u00e0 Dieu (Dead God if you were alive you know we\u2019d kill you *1<\/em>). Vient par la suite \u00ab\u00a0The Love Song<\/em>\u00a0: D\u00e9trompez-vous, il ne s\u2019agit pas d\u2019une chanson d\u2019amour mais bien d\u2019une critique acerbe sur le lobby des armes \u00e0 feu aux USA.<\/p>\n

Voici le tour de \u00ab\u00a0The Fight Song<\/em>\u00a0\u00bb, un pur concentr\u00e9 de violence et de haine, qui appuie o\u00f9 \u00e7a fait mal. Ici, Manson<\/strong> r\u00e8gle ses comptes avec les associations religieuses qui se servent de l\u2019accident de Columbine pour le faire tomber (And when we were good you just close your eyes, so when we are bad we\u2019ll scar your mind*2 <\/em>). Il ne peut s\u2019emp\u00eacher de leur lancer quelques piques (I\u2019m not a slave to a god that doesn\u2019t exist *3<\/em>) et emprunte une parole de Staline (The Dead of One is a tragedy, but the dead of a million is just a statistic *4<\/em>), directement dirig\u00e9e vers les medias. Voici le tour de Disposable Teens<\/em>, qui, ressemblent \u00e9trangement \u00e0 \u00ab\u00a0The Beautiful People<\/em>\u00a0\u00bb et qui est peut-\u00eatre, la moins r\u00e9ussie de l\u2019album.<\/p>\n

\"marilyn-manson-holy-wood-36\"<\/a><\/p>\n

Plongeons nous maintenant dans mon morceau pr\u00e9f\u00e9r\u00e9 de l\u2019album, \u00ab\u00a0Target Audience<\/em>\u00a0\u00bb qui critique les m\u00e9dias avides de scoop et sont pr\u00eat \u00e0 tout dans leur course \u00e0 l\u2019audimat. Un th\u00e8me qui reviendra dans le morceau \u00ab\u00a0Lamb Of God<\/em>\u00a0\u00bb (If you die when there’s no one watching,<\/em> Then your ratings drop and you’re forgotten.<\/em> But if they kill you on the TV,<\/em> You’re a martyr and a lamb of God. <\/em>*5).<\/em> Manson<\/strong> aime les r\u00e9f\u00e9rences et c\u2019est encore le cas sur le morceau \u00ab\u00a0President Dead<\/em>\u00a0\u00bb car la chanson dure 3min13\u00a0: l\u2019image 313 du film de Zapruder<\/em> sur l\u2019assassinat de Kennedy est l\u2019instant o\u00f9 le pr\u00e9sident se prend la balle fatale (lien d\u00e9j\u00e0 \u00e9tabli dans l\u2019album pr\u00e9c\u00e9dent du R\u00e9v\u00e9rend). \u00abIn the shadow of the valley of death<\/em> \u00bb, fait quant \u00e0 lui r\u00e9f\u00e9rence au psaume 23 de la Bible.<\/p>\n

Les deux morceaux suivants sont un peu moins \u00e9loquents (\u00ab\u00a0Cruci-fiction in space<\/em> \u00bbet \u00ab\u00a0A Place In The Dirt\u00a0<\/em>\u00bb) bien qu\u2019ils conservent le c\u00f4t\u00e9 noir, sombre et triste de l\u2019album. Place maintenant \u00e0 une vraie bombe\u00a0: \u00ab\u00a0The Nobodies<\/em>\u00a0\u00bb. Sur ce morceau, Manson<\/strong> se veut le porte \u00e9tendard de tous les \u00ab\u00a0Nobodies\u00a0\u00bb. La r\u00e9f\u00e9rence avec la tuerie de Columbine y est ici flagrante (We are the nobodies, wanna be somebodies. When we\u2019re dead, they\u2019ll know just who we are\u00a0*6)<\/em>. Le titre fait \u00e9galement penser \u00e0 une interview de Charles Manson<\/em> qui, lorsqu\u2019on lui demande \u00ab\u00a0qui il est\u00a0\u00bb il r\u00e9pondit \u00ab\u00a0Nobody, I\u2019m Nobody<\/em>\u00a0\u00bb<\/p>\n

Place ensuite \u00e0 deux morceaux bien plus entrainants\u00a0: \u00ab\u00a0Burning Flag<\/em>\u00a0\u00bb dont on sent bien l\u2019anti am\u00e9ricanisme rien que dans le titre et \u00ab\u00a0Born Again<\/em>\u00a0\u00bb. Ces deux morceaux plus violents laissent place \u00e0 \u00ab\u00a0Coma Black<\/em>\u00a0\u00bb, version triste de \u00ab\u00a0Coma White<\/em>\u00a0\u00bb\u00a0; un morceau de son pr\u00e9c\u00e9dent album.<\/p>\n

Les 3 derniers morceaux sont les moins biens r\u00e9ussis de l\u2019album\u00a0: \u00ab\u00a0Valentine\u2019s day<\/em>\u00a0\u00bb (que l\u2019on retrouve dans la BO du slasher moyen Mortelle Saint Valentin<\/strong>) \u00ab\u00a0King Kill 33\u00b0<\/em>\u00a0\u00bb et \u00ab\u00a0The Fall Of Adam\u00a0<\/em>\u00bb. Le dernier morceau qui cl\u00f4ture cet album est \u00ab\u00a0Count to Six and Die<\/em>\u00a0\u00bb, le bruit d\u2019un barillet de revolver accompagne la totalit\u00e9 de la chanson, lors d\u2019un final de roulette russe dont on n\u2019entendra pas la d\u00e9tonation finale.<\/p>\n

En r\u00e9sum\u00e9, ce Holy Wood<\/strong> est pour moi le meilleur album de l\u2019Ant\u00e9christ Superstar, \u00e0 la fois sombre, violent, triste, cet album a grandement contribu\u00e9 \u00e0 fa\u00e7onner la personne que je suis aujourd\u2019hui, m\u2019a permis de m\u2019\u00e9chapper des affres de l\u2019adolescence, m\u2019a appris ce qu\u2019\u00e9tait le libre arbitre et \u00e0 ne pas suivre le troupeau. Cet album est le dernier de sa discographie \u00e0 avoir d\u00e9fray\u00e9 la chronique, Manson<\/strong> pr\u00e9f\u00e9rant depuis concentrer ses efforts sur des morceaux bien plus conventionnels, devenant maintenant un simple chanteur dark pour jeunes filles en manque de sensations fortes, alors qu\u2019il \u00e9tait avant le porte-parole de millions de jeunes rebelles. Triste fin.<\/p>\n

*1 Cher Dieu, sais-tu que si tu \u00e9tais vivant nous te tuerions<\/em><\/p>\n

*2 Quand j’\u00e9tais bon vous avez juste ferm\u00e9 les yeux comme \u00e7a quand je serai mauvais, je marquerai vos esprits<\/em><\/p>\n

*3 Je ne suis pas l’esclave d’un dieu qui n’existe pas<\/em><\/p>\n

*4 La mort d’un homme est une trag\u00e9die, mais la mort d’un million de personne est juste une statistique<\/em><\/p>\n

*5 Si tu meurs quand personne ne te regarde, ton indice d’\u00e9coute chute et tu es oubli\u00e9; mais s’ils te tuent en direct \u00e0 la t\u00e9l\u00e9, tu es un martyre et un agneau de Dieu<\/em><\/p>\n

*6 Nous ne sommes personne, voulant \u00eatre quelqu’un, quand nous serons morts, ils sauront qui nous sommes<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n

    \n
  1. Godeatgod<\/li>\n
  2. The Love Song<\/li>\n
  3. The Fight Song<\/li>\n
  4. Disposable Teens<\/li>\n
  5. Target Audience (Narcissus Narcosis)<\/li>\n
  6. \u201cPresident Dead\u201d<\/li>\n
  7. In the shadow of the valley of death<\/li>\n
  8. Cruci-fiction in space<\/li>\n
  9. A place in the dirt<\/li>\n
  10. The Nobodies<\/li>\n
  11. The Dead Song<\/li>\n
  12. Lamb Of God<\/li>\n
  13. Born Again<\/li>\n
  14. Burning Flag<\/li>\n
  15. Coma Black<\/li>\n
  16. Valentine\u2019s Day<\/li>\n
  17. The Fall Of Adam<\/li>\n
  18. King Kill 33\u00b0<\/li>\n
  19. Count to six and die (The vacuum of infinite space emcompassing)<\/li>\n<\/ol>\n

    Note: 19\/20<\/strong><\/p>\n

    [youtube]https:\/\/www.youtube.com\/watch?v=hF-QqKiT1bI[\/youtube]<\/p>\n

    Par Trasher<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

    Avant d\u2019\u00e9couter cet album, il est important de se remettre dans le contexte de l\u2019\u00e9poque. Nous sommes en 2000. 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