{"id":71403,"date":"2023-10-22T06:03:55","date_gmt":"2023-10-22T06:03:55","guid":{"rendered":"https:\/\/www.lavisqteam.fr\/?p=71403"},"modified":"2023-10-22T06:03:58","modified_gmt":"2023-10-22T06:03:58","slug":"lhomme-qui-marche","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=71403","title":{"rendered":"L’Homme qui Marche"},"content":{"rendered":"
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\"\"<\/a><\/figure><\/div>\n\n\n

Auteur : <\/strong>Jiro Taniguchi<\/p>\n\n\n\n

Editeur : <\/strong>Casterman<\/p>\n\n\n\n

Genre : <\/strong>Seinen<\/p>\n\n\n\n

R\u00e9sum\u00e9 :<\/strong><\/p>\n\n\n\n

\u00c0 l’heure o\u00f9 d’autres se laissent accaparer par les obligations et les tracasseries quotidiennes, happer par la course toujours plus effr\u00e9n\u00e9e des jours qui d\u00e9filent, lui sait prendre le temps. Lui, c’est l’homme qui marche. Odes aux moments vol\u00e9s, aux d\u00e9tours parfois oisifs et aux plaisirs simples de la promenade, ses d\u00e9ambulations en apparence anodines sont autant d’invitations \u00e0 laisser le spectacle du monde nous r\u00e9v\u00e9ler nos paysages int\u00e9rieurs.<\/p>\n\n\n\n

Avis :<\/strong><\/strong><\/p>\n\n\n\n

M\u00ealant avec habilet\u00e9 le manga et la bande dessin\u00e9e europ\u00e9enne, Jir\u014d Taniguchi<\/em> est reconnu pour son sens de la narration sans pareille. \u00c0 partir d\u2019un postulat somme toute simpliste, il parvient \u00e0 \u00e9tayer des histoires touchantes, pleines d\u2019\u00e9motions. Des tranches de vie propices \u00e0 la contemplation, \u00e0 l\u2019introspection, on doit \u00e0 l\u2019auteur des \u0153uvres cultes telles que Quartier lointain<\/strong> ou Le Sommet des dieux<\/strong>. Moins renomm\u00e9, mais tout aussi notable, L\u2019Homme qui marche<\/strong> d\u00e9montre une pr\u00e9dilection pour un existentialisme po\u00e9tique, proche d\u2019une id\u00e9alisation du Japon. En l\u2019occurrence, on assiste \u00e0 des instantan\u00e9s qui s\u2019arrogent les atours de nouvelles du 9e<\/sup> art.<\/p>\n\n\n

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Du protagoniste, on ne conna\u00eet pas grand-chose. D\u2019ailleurs, ce n\u2019est pas forc\u00e9ment la personne qui interpelle, mais plut\u00f4t son comportement, sa mani\u00e8re d\u2019appr\u00e9hender le quotidien. Si l\u2019on distingue une certaine indolence, on y d\u00e9note surtout une philosophie de vie qui pr\u00f4ne le moment pr\u00e9sent, voire l\u2019ind\u00e9terminisme. Au d\u00e9tour d\u2019une rue ou d\u2019un sentier en pleine campagne nipponne, il est difficile de ne pas penser \u00e0 des circonstances fortuites. Celles-ci ne tiennent pas \u00e0 une destin\u00e9e pr\u00e9cise, mais plut\u00f4t \u00e0 un cheminement al\u00e9atoire qui aboutit \u00e0 des rencontres, des d\u00e9couvertes impromptues. On songe \u00e0 cette errance le long d\u2019une rivi\u00e8re, en bordure de la ville, \u00e0 cette incursion dans des venelles paisibles.<\/p>\n\n\n\n

Tout au long du recueil, l\u2019auteur fait l\u2019\u00e9conomie des dialogues. Cette circonspection permet de mettre l\u2019accent sur le travail graphique, dont certains plans et vignettes \u00e9voquent le courant impressionniste. Par la m\u00eame, on y retrouve ce rapprochement culturel entre la bande dessin\u00e9e occidentale et les \u0153uvres picturales nipponnes. En l\u2019occurrence, le style graphique se d\u00e9marque par son sens du d\u00e9tail, sa profondeur de champ pour les environnements et l\u2019aspect \u00e9pur\u00e9 pour les intervenants. Le simple fait de communiquer un message ou d\u2019instaurer une atmosph\u00e8re par l\u2019exposition d\u2019images suffit \u00e0 emmener le lectorat dans une parenth\u00e8se aussi insouciante qu\u2019idyllique.<\/p>\n\n\n\n

Le pr\u00e9sent recueil se compose de moments de vie banaux. Pour autant, cela n\u2019emp\u00eache en rien de les appr\u00e9cier. \u00c0 diff\u00e9rentes reprises, on a l\u2019impression que l\u2019auteur compulse les \u00e9v\u00e8nements clefs de son personnage principal. Au fil des chapitres (ou des parties), celui-ci vieillit ou rajeunit selon la temporalit\u00e9 concern\u00e9e, a fortiori en fin d\u2019ouvrage. Rien d\u2019ostensible. Simplement un front plus d\u00e9garni qu\u2019\u00e0 l\u2019accoutum\u00e9e, le port de lunettes en moins ou des traits davantage marqu\u00e9s. En cela, la narration se veut aussi elliptique que non lin\u00e9aire. D\u00e8s lors, on ne distingue pas forc\u00e9ment de fil directeur, plut\u00f4t une alternance des saisons qui vient d\u00e9terminer le moment et la chronologie des faits.<\/p>\n\n\n\n

Cette temporalit\u00e9 se fait l\u2019\u00e9cho d\u2019une histoire en mouvement constant. Au regard de cette approche contemplative, \u00e0 la limite de l\u2019onirisme, un tel constat peut para\u00eetre contradictoire, sinon paradoxal. Comme le titre le laisse entendre, ses p\u00e9r\u00e9grinations marquent une volont\u00e9 d\u2019aller de l\u2019avant, une insatiable curiosit\u00e9 \u00e0 appr\u00e9cier les surprises de l\u2019existence. Celles-ci peuvent pr\u00e9senter un caract\u00e8re opportun ou non, positif ou n\u00e9gatif. Preuve en est avec les derni\u00e8res incursions o\u00f9 son errance se mue en tourments, en une m\u00e9compr\u00e9hension de la notion de bonheur, voire de la fid\u00e9lit\u00e9 conjugale. Au regard de ce qui a pu \u00eatre avanc\u00e9 auparavant, cette approche peut n\u00e9anmoins d\u00e9contenancer.<\/p>\n\n\n

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\"\"<\/a><\/figure><\/div>\n\n\n

Au final, L\u2019Homme qui marche<\/strong> est une \u0153uvre aussi simple que touchante. L\u2019encha\u00eenement des sous-intrigues constitue autant de moments inattendus que bienvenus. D\u2019un quotidien o\u00f9 il est ais\u00e9 de s\u2019identifier, on se pla\u00eet \u00e0 accompagner un protagoniste qui conserve sa part de myst\u00e8res. Sans pr\u00e9tention ni ostentation, celui-ci s\u2019apparente \u00e0 un passeur entre les saisons, les g\u00e9n\u00e9rations, les personnes. Jir\u014d Taniguchi<\/em> instaure une atmosph\u00e8re contemplative o\u00f9 la lenteur du temps n\u2019est pas synonyme de vacuit\u00e9, mais d\u2019un recul salvateur. Toute introspection \u00e9cart\u00e9e, il n\u2019est pas question d\u2019avancer un repli sur soi, mais plut\u00f4t une ouverture d\u2019esprit sur le monde qui nous entoure et ce qu\u2019il a \u00e0 nous offrir. Une \u0153uvre anticonformiste, apaisante et pleine d\u2019optimisme.<\/p>\n\n\n\n

Note\u00a0: 16\/20<\/strong><\/p>\n\n\n\n

Par Dante<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Auteur : Jiro Taniguchi Editeur : Casterman Genre : Seinen R\u00e9sum\u00e9 : \u00c0 l’heure o\u00f9 d’autres se laissent accaparer par les obligations et les tracasseries quotidiennes, happer par la … <\/p>\n","protected":false},"author":5,"featured_media":71407,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"yoast_head":"\nL'Homme qui Marche - Lavisqteam.fr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lavisqteam.fr\/?p=71403\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'Homme qui Marche - Lavisqteam.fr\" \/>\n<meta property=\"og:description\" content=\"Auteur : Jiro Taniguchi Editeur : Casterman Genre : Seinen R\u00e9sum\u00e9 : \u00c0 l’heure o\u00f9 d’autres se laissent accaparer par les obligations et les tracasseries quotidiennes, happer par la …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.lavisqteam.fr\/?p=71403\" \/>\n<meta property=\"og:site_name\" content=\"Lavisqteam.fr\" \/>\n<meta property=\"article:published_time\" content=\"2023-10-22T06:03:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-22T06:03:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.lavisqteam.fr\/wp-content\/uploads\/2023\/10\/lhom.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"727\" \/>\n\t<meta property=\"og:image:height\" content=\"395\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dante\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/www.lavisqteam.fr\/wp-content\/uploads\/2023\/10\/lhom.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dante\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=71403#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=71403\"},\"author\":{\"name\":\"Dante\",\"@id\":\"https:\/\/www.lavisqteam.fr\/#\/schema\/person\/f990b2bf003d200c5d343e528a040052\"},\"headline\":\"L’Homme qui Marche\",\"datePublished\":\"2023-10-22T06:03:55+00:00\",\"dateModified\":\"2023-10-22T06:03:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=71403\"},\"wordCount\":835,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.lavisqteam.fr\/#organization\"},\"articleSection\":[\"Manga\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.lavisqteam.fr\/?p=71403#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=71403\",\"url\":\"https:\/\/www.lavisqteam.fr\/?p=71403\",\"name\":\"L'Homme qui Marche - 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