{"id":70580,"date":"2023-08-10T09:48:18","date_gmt":"2023-08-10T09:48:18","guid":{"rendered":"https:\/\/www.lavisqteam.fr\/?p=70580"},"modified":"2023-08-10T09:48:18","modified_gmt":"2023-08-10T09:48:18","slug":"le-tresor-oublie","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=70580","title":{"rendered":"Le Tr\u00e9sor Oubli\u00e9"},"content":{"rendered":"
\n
\"\"<\/a><\/figure><\/div>\n\n\n

Titre Original : <\/strong>Lost Treasure<\/p>\n\n\n\n

De : <\/strong>Jim Wynorski<\/p>\n\n\n\n

Avec <\/strong>Stephen Baldwin, Nicolette Sheridan, Coby Ryan McLaughlin, Hannes Jaenicke<\/p>\n\n\n\n

Ann\u00e9e : <\/strong>2003<\/p>\n\n\n\n

Pays : <\/strong>Etats-Unis<\/p>\n\n\n\n

Genre : <\/strong>Aventure, Action<\/p>\n\n\n\n

R\u00e9sum\u00e9 :<\/strong><\/p>\n\n\n\n

A la suite d’un hold-up au Metropolitan Museum, plusieurs \u0153uvres d’art sont retrouv\u00e9es dans les d\u00e9combres du v\u00e9hicule br\u00fbl\u00e9 des malfaiteurs. Pour d\u00e9terminer l’origine de l’une d’entre elles, l’inspecteur Carl McBride, charg\u00e9 de l’enqu\u00eate, demande l’aide de son fr\u00e8re Bryan, \u00e9minent cartographe. Selon ce dernier, il n’y a pas de doute : l\u2019\u0153uvre en question est en r\u00e9alit\u00e9 un plan vers un tr\u00e9sor perdu.<\/p>\n\n\n\n

Avis :<\/strong><\/p>\n\n\n\n

D\u2019ordinaire, les films d\u2019aventures constituent des divertissements familiaux des plus honorables. Le genre offre de l\u2019action, du suspense et du d\u00e9paysement sur fond de myst\u00e8res historiques. Sur la base de ces fondamentaux, on peut aussi le rapprocher du thriller \u00e9sot\u00e9rique. Les intrigues peuvent pr\u00e9senter un niveau de d\u00e9veloppement plus ou moins avanc\u00e9, mais l\u2019id\u00e9e initiale est d\u2019emporter le spectateur \u00e0 travers p\u00e9rip\u00e9ties et paysages enchanteurs. Enfin, ces consid\u00e9rations valent surtout lorsque le film en question tient la route. Comme d\u2019autres courants cin\u00e9matographiques, le genre n\u2019\u00e9chappe pas \u00e0 quelques b\u00e9vues opportunistes dont l\u2019int\u00e9r\u00eat sombre irr\u00e9m\u00e9diablement dans le n\u00e9ant.<\/p>\n\n\n

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\"\"<\/a><\/figure><\/div>\n\n\n

Grand habitu\u00e9 des productions commises \u00e0 la va-vite, Jim Wynorski<\/em> (ou Jay Andrews<\/em>, pour le pr\u00e9sent m\u00e9trage) multiplie les projets fauch\u00e9s, mockbusters et autres absurdit\u00e9s sur bobine. Entre deux \u00e9pisodes m\u00e9phitiques de la saga The Bare Wench Project<\/strong>, le r\u00e9alisateur se penche sur un t\u00e9l\u00e9film d\u2019aventures aux ambitions platoniques. Jouant la carte de l\u2019esbroufe st\u00e9rile, l\u2019entame donne le ton quant \u00e0 l\u2019invraisemblance de l\u2019intrigue. De l\u2019incendie d\u2019un mus\u00e9e pour voler une \u0153uvre d\u2019art \u00e0 la course-poursuite qui s\u2019ensuit, on assiste aux pr\u00e9mices d\u2019une enqu\u00eate farfelue, mis\u00e9rable pr\u00e9texte sc\u00e9naristique \u00e0 la pr\u00e9sentation des intervenants. Mention sp\u00e9ciale \u00e0 ces flics incapables de boucler leur ceinture de s\u00e9curit\u00e9 ou d\u2019aligner deux neurones pour assimiler la notion d\u2019investigation.<\/p>\n\n\n\n

\u00ab\u00a0On inaugure la partie \u00ab\u00a0aventures\u00a0\u00bb avec la pr\u00e9sence mollassonne de Stephen Baldwin<\/em>.\u00a0\u00bb<\/h2>\n\n\n\n

L\u2019espace d\u2019un instant, on a l\u2019impression de s\u2019\u00eatre tromp\u00e9 de film. Le bureau de police tient \u00e0 une tour administrative, les escapades des inspecteurs les am\u00e8nent \u00e0 vivoter dans un cadre urbain d\u00e9fra\u00eechi, sans relief ni int\u00e9r\u00eat. Par la suite, on inaugure la partie \u00ab aventures \u00bb avec la pr\u00e9sence mollassonne de Stephen Baldwin<\/em> dont les fonctions \u00e9chappent \u00e0 toutes consid\u00e9rations pragmatiques. On lui pr\u00eate des comp\u00e9tences de cartographe, de laborantin, d\u2019arch\u00e9ologue amateur et m\u00eame d\u2019espion au service de son fier pays. Dans une certaine mesure, on aurait presque droit \u00e0 un portrait caricatural et r\u00e9actualis\u00e9 d\u2019Otto Rahn ! On assiste donc \u00e0 un embrouillamini qui n\u2019a d\u2019autre objectif que de nous emmener sur une \u00eele situ\u00e9e au large du Panama.<\/p>\n\n\n\n

Le d\u00e9cor exotique est plant\u00e9, \u00e0 tout le moins il en a les apparences. \u00c0 de nombreuses reprises, il est difficile de ne pas penser \u00e0 un tournage improvis\u00e9 dans un jardin public. Les incursions dans la jungle ne rec\u00e8lent aucun danger, si ce n\u2019est la b\u00eatise des protagonistes. Malgr\u00e9 le d\u00e9nuement de leurs moyens, on ne d\u00e9note aucune notion de survivalisme ou d\u2019une quelconque tension quant \u00e0 la pr\u00e9carit\u00e9 de leur situation. De plus, cette seconde partie se cantonne \u00e0 un jeu du chat et de la souris avec les antagonistes qui, au passage, sont aussi notables que leurs pendants \u00ab bienveillants \u00bb. De fusillades en fuites, en passant par des embuscades mal organis\u00e9es, la succession des \u00e9v\u00e8nements va de mal en pis.<\/p>\n\n\n\n

\u00ab\u00a0On songe \u00e0 ces dialogues dignes des conciliabules de Fort Boyard.\u00a0\u00bb<\/h2>\n\n\n\n

\u00c0 de nombreuses reprises, l\u2019ensemble est aussi path\u00e9tique que risible. On songe \u00e0 ces dialogues dignes des conciliabules de Fort Boyard o\u00f9 l\u2019on r\u00e9p\u00e8te les paroles des autres avant de s\u2019encourager mutuellement avec force, cris et accolades \u00e0 l\u2019appui ! Et le fameux tr\u00e9sor de Christophe Colomb ? La recette est simple : prenez deux cartes, trouez-en une, superposez le tout et vous trouverez son emplacement. Est-il seulement possible d\u2019admettre que ce \u00ab sc\u00e9nario \u00bb ait fait l\u2019objet d\u2019un travail d\u2019\u00e9criture par quatre t\u00e2cherons ? Il est rare de constater une telle d\u00e9bilit\u00e9 intrins\u00e8que doubl\u00e9e d\u2019une fain\u00e9antise manifeste pour saborder l\u2019unique point d\u2019int\u00e9r\u00eat de ce naufrage cin\u00e9matographique.<\/p>\n\n\n

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\"\"<\/a><\/figure><\/div>\n\n\n

<\/a> Au final, Le Tr\u00e9sor oubli\u00e9<\/strong> poss\u00e8de un titre pr\u00e9dictif quant \u00e0 son sort. D\u2019aventures, cette idiotie sur pellicule n\u2019en pr\u00e9sente m\u00eame pas les fondamentaux ou les intentions. Entre deux s\u00e9quences \u00e0 l\u2019humour lourd, on assiste \u00e0 une v\u00e9ritable d\u00e9bandade. Rien ne fonctionne. Le montage est \u00e0 l\u2019aune d\u2019une mise en sc\u00e8ne indigente, tandis que les acteurs sont aussi investis que leurs personnages \u00e0 la caract\u00e9risation absente. M\u00eame l\u2019incursion sur l\u2019\u00eele est d\u2019un ridicule consomm\u00e9, tant le cadre n\u2019est jamais correctement exploit\u00e9. On en oublierait presque leur qu\u00eate \u00e9perdue pour trouver un coffre rempli de breloques clinquantes \u00e0 partir de ficelles narratives \u00e9cul\u00e9es et de cartes moisies. Un affront cin\u00e9matographique dont on s\u2019interroge sur son existence.<\/p>\n\n\n\n

Note\u00a0: 02\/20<\/strong><\/p>\n\n\n\n

Par Dante<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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