{"id":37625,"date":"2018-09-11T09:52:11","date_gmt":"2018-09-11T09:52:11","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=37625"},"modified":"2018-09-11T09:52:11","modified_gmt":"2018-09-11T09:52:11","slug":"hunting-piranha","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=37625","title":{"rendered":"Hunting Piranha"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Titre Original\u00a0: <\/strong>Okhota Na Piranyu<\/p>\n

De\u00a0: <\/strong>Andrei Kavun<\/p>\n

Avec <\/strong>Vladimir Mashkov, Ramil Sabitov, Mikhail Yefremov, Viktoriya Isakova<\/p>\n

Ann\u00e9e\u00a0: <\/strong>2006<\/p>\n

Pays\u00a0: <\/strong>Russie<\/p>\n

Genre\u00a0: <\/strong>Action<\/p>\n

R\u00e9sum\u00e9\u00a0:<\/strong><\/p>\n

Le colonel russe Kirill Mazur se voit confier une mission par son gouvernement : accompagn\u00e9 d’une jeune scientifique, il doit d\u00e9truire laboratoire secret perdu au milieu de la Sib\u00e9rie. Mais une fois sur place, ils s’aper\u00e7oivent que la vraie menace que contenait ce laboratoire est tomb\u00e9e sous la main de gangsters sans foi ni loi.<\/p>\n

Avis\u00a0:<\/strong><\/p>\n

Malgr\u00e9 une production prolifique, le cin\u00e9ma russe a toutes les peines du monde \u00e0 s\u2019imposer dans l\u2019hexagone. Est-ce d\u00fb au choix des distributeurs, \u00e0 la qualit\u00e9 des m\u00e9trages respectifs ou \u00e0 une certaine propension \u00e0 l\u2019esbroufe\u00a0? Toujours est-il que les quelques DTV qui nous parviennent ne sont gu\u00e8re marquants et majoritairement m\u00e9diocres. Sa d\u00e9mocratisation mesur\u00e9e est survenue apr\u00e8s le succ\u00e8s d\u2019estime (en Occident) du diptyque Night Watch \/ Day Watch<\/strong>. Contrairement \u00e0 ce que laisse pr\u00e9sager le titre, Hunting Piranha<\/strong> n\u2019est pas un survival animalier qui met en sc\u00e8ne ces charmants petits poissons voraces. L\u2019allusion trompeuse se situe plut\u00f4t du c\u00f4t\u00e9 d\u2019une force d\u2019\u00e9lite sovi\u00e9tique.<\/p>\n

\"\"<\/a><\/p>\n

L\u2019entame se fait par le biais d\u2019un flashback dans les ann\u00e9es\u00a01970 o\u00f9 les fac\u00e9ties de laborantins incomp\u00e9tents mettent fin \u00e0 leur jour et \u00e0 leur exp\u00e9rience de mani\u00e8re assez radicale. On encha\u00eene avec une mission contemporaine qui joue de pr\u00e9texte pour tenter de lancer la machine dans le cadre sauvage de la ta\u00efga. Sur fond de s\u00e9quences sous-marines illisibles et ignobles, le subterfuge est suffisamment grossier pour ne pas convaincre. C\u2019est l\u00e0 un moindre mal face \u00e0 la d\u00e9bauche de m\u00e9diocrit\u00e9 qui se succ\u00e8de au gr\u00e9 d\u2019une chasse \u00e0 l\u2019homme plus ou moins improvis\u00e9e. Bref, la premi\u00e8re partie se r\u00e9v\u00e8le laborieuse quand le c\u0153ur de l\u2019histoire n\u2019est gu\u00e8re engageant.<\/p>\n

Si l\u2019environnement est l\u2019un des rares points positifs, il ne sera jamais mis en avant ou valoris\u00e9. Le cadre sauvage, la configuration des espaces et des reliefs n\u2019ont gu\u00e8re d\u2019importance dans la fuite ou la poursuite des diff\u00e9rents intervenants. On fait s\u2019encha\u00eener les marais aux terrains escarp\u00e9s sans transition ni coh\u00e9rence. D\u2019ailleurs, cette derni\u00e8re donn\u00e9e n\u2019est pas de circonstances. En parall\u00e8le de l\u2019histoire principale, le trafic de drogues n\u2019apporte rien \u00e0 l\u2019intrigue. L\u2019ultime partie, elle, se mue en une vendetta sur fond de cavales pour fugitifs recherch\u00e9s par tous. Pourtant, il est bon de noter que l\u2019ill\u00e9galit\u00e9 est du c\u00f4t\u00e9 du commanditaire\u2026<\/p>\n

On pourrait encore continuer sur la stupidit\u00e9 des comportements ou le fait qu\u2019un \u00ab\u00a0tireur d\u2019\u00e9lite\u00a0\u00bb use d\u2019un fusil \u00e0 pompe pour faire feu dans un lieu ouvert et \u00e9loign\u00e9. Hunting Piranha<\/strong> est l\u2019exemple type du film fourre-tout qui \u00e9voque tout et n\u2019importe quoi sans jamais apporter la moindre \u00e9paisseur \u00e0 la densit\u00e9 du contenu. Et ce n\u2019est pas les allusions surann\u00e9es \u00e0 Rambo<\/strong> qui changeront la donne, bien au contraire. V\u00e9ritable Mac Gyver du survivalisme en milieu hostile, Vladimir Mashkov<\/em> a plus d\u2019une corde \u00e0 son arc pour faire bouffer la poussi\u00e8re (ou la boue) \u00e0 ses adversaires. En termes de physique, il est un peu le cha\u00eenon \u00ab\u00a0testost\u00e9ron\u00e9\u00a0\u00bb entre James Purefoy <\/em>et Michel Cymes<\/em>. Absurde\u00a0? Pas autant que la mise en sc\u00e8ne\u00a0!<\/p>\n

Si le cin\u00e9ma russe est connu pour son expansivit\u00e9, sa propension \u00e0 l\u2019esbroufe, le pr\u00e9sent m\u00e9trage s\u2019avance comme une bobine aux multiples tares. Effet de fondu encha\u00een\u00e9 et montage \u00e9pileptique ne sont que la partie \u00e9merg\u00e9e de l\u2019iceberg \u00e0 la d\u00e9rive. Le r\u00e9alisateur semble incapable de cadrer correctement un plan, encore moins de stabiliser sa cam\u00e9ra. Quant \u00e0 la bande-son, des royalties ont d\u00fb \u00eatre accord\u00e9es en lieu et place d\u2019un placement de produits. Pendant deux heures, on nous inflige deux ou trois morceaux r\u00e9p\u00e9titifs et rapidement aga\u00e7ants pour les oreilles. Non seulement on nous ressert la m\u00eame soupe, mais elle ne poss\u00e8de aucune justification par rapport aux images.<\/p>\n

\"\"<\/a><\/p>\n

Au final, Hunting Piranha<\/strong> est assez repr\u00e9sentatif des DTV russes qui nous parviennent. Des productions polic\u00e9es et sans \u00e2me qui sont aussi brouillonnes que vaines. Derri\u00e8re une histoire abracadabrante qui raconte tout et son contraire, on nous inflige des s\u00e9quences d\u2019action mal chor\u00e9graphi\u00e9es, des fusillades sans int\u00e9r\u00eat et des effets pyrotechniques abominables. Mention sp\u00e9ciale \u00e0 l\u2019un des mercenaires qui chutent d\u2019une passerelle et explosent litt\u00e9ralement\u00a0! Non satisfait de se complaire dans une m\u00e9diocrit\u00e9 effarante pendant plus de deux heures, le film multiplie les ralentis, les filtres de couleur et les raccourcis narratifs pour nous donner l\u2019impression de visualiser une bande-annonce ou un clip musical. Autant dire que les moyens mis en \u0153uvre sont aussi exacerb\u00e9s que le r\u00e9sultat douteux.<\/p>\n

Note\u00a0: 05\/20<\/strong><\/p>\n

[youtube]https:\/\/www.youtube.com\/watch?v=Y7VshEH6b-c[\/youtube]<\/p>\n

Par\u00a0Dante<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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