{"id":36753,"date":"2018-07-19T10:05:34","date_gmt":"2018-07-19T10:05:34","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=36753"},"modified":"2018-07-19T10:05:34","modified_gmt":"2018-07-19T10:05:34","slug":"hangover-square","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=36753","title":{"rendered":"Hangover Square"},"content":{"rendered":"

\"\"<\/a><\/p>\n

De\u00a0: <\/strong>John Brahm<\/p>\n

Avec <\/strong>Linda Darnell, George Sanders, Laird Cregar, Glenn Langan<\/p>\n

Ann\u00e9e: <\/strong>1945<\/p>\n

Pays: <\/strong>Etats-Unis<\/p>\n

Genre: <\/strong>Thriller<\/p>\n

R\u00e9sum\u00e9:<\/strong><\/p>\n

Une histoire d’amour et d’obsession dans le Londres du tournant du si\u00e8cle.<\/p>\n

Avis\u00a0:<\/strong><\/p>\n

Suite \u00e0 la mont\u00e9e du nazisme en Allemagne au cours des ann\u00e9es\u00a01930, John Brahm<\/em> s\u2019est exil\u00e9 aux \u00c9tats-Unis. Issu du monde du th\u00e9\u00e2tre, il entame une carri\u00e8re \u00e9maill\u00e9e de s\u00e9ries B et de m\u00e9trages qui ne sont gu\u00e8re pass\u00e9s \u00e0 la post\u00e9rit\u00e9. Un constat d\u2019autant plus incompr\u00e9hensible quand on peut appr\u00e9cier les qualit\u00e9s de sa mise en sc\u00e8ne. Si sa filmographie reste peu connue dans l\u2019hexagone, il est deux films remarquables qui s\u2019en distinguent ais\u00e9ment\u00a0: Jack L\u2019\u00c9ventreur <\/strong>et Hangover Square<\/strong>. Est-ce un hasard si leur t\u00eate d\u2019affiche respective n\u2019est autre que Laird Cregar\u00a0<\/em>? Mais il ne s\u2019agit pas de la seule occurrence notable \u00e0 consid\u00e9rer, loin s\u2019en faut.<\/p>\n

\"\"<\/a><\/p>\n

La collaboration entre le r\u00e9alisateur et l\u2019acteur avait d\u00e9j\u00e0 fourni une formidable perle du thriller gothique avec Jack L\u2019\u00c9ventreur,<\/strong> l\u2019adaptation de The Lodger<\/strong>. Reconstitution minutieuse d\u2019un Londres gothique qui succ\u00e8de formidablement aux versions d\u2019Hitchcock<\/em> et de Maurice Elvey<\/em>. D\u2019ailleurs, les d\u00e9cors ont \u00e9t\u00e9 repris pour d\u00e9peindre la capitale britannique \u00e0 l\u2019aune du XXe si\u00e8cle. Il n\u2019est pas ici question de se r\u00e9approprier sans scrupules le travail effectu\u00e9 en amont, mais de se renouveler tout en pr\u00e9servant l\u2019ambiance spectrale, presque surnaturelle, du fog londonien et de ses quartiers malfam\u00e9s. De m\u00eame, les crimes perp\u00e9tr\u00e9s renvoient in\u00e9vitablement \u00e0 l\u2019affaire de 1888, bien que l\u2019identit\u00e9 du tueur ne fasse pas l\u2019ombre d\u2019un doute.<\/p>\n

Il est vrai que l\u2019intrigue est avant une histoire d\u2019obsession. Cela passe par la passion pour la musique. L\u2019implication dans son art jusqu\u2019\u00e0 s\u2019investir corps et \u00e2me. S\u2019imposer une discipline \u00e0 en oublier le monde qui vous entoure. L\u2019obsession est \u00e9galement relationnelle avec une romance opportuniste pour l\u2019une et une vaine idylle pour l\u2019autre partenaire. Si la candeur presque enfantine de George Harvey Bone est assez d\u00e9routante, il n\u2019en demeure pas moins un \u00eatre pr\u00e9venant, affable et d\u2019une bont\u00e9 sinc\u00e8re. Autant de traits de caract\u00e8re qui viennent en contraste avec sa part d\u2019ombre que l\u2019on d\u00e9couvre en guise d\u2019introduction, puis au fil d\u2019une intrigue immersive au possible.<\/p>\n

D\u00e8s lors, on songe au classique de Robert Louis Stevenson<\/em>, L\u2019\u00e9trange cas du Dr Jekyll et Mr\u00a0Hyde<\/strong>. Les th\u00e9matiques et la mani\u00e8re d\u2019avancer le sujet sont similaires et tout aussi pertinentes. Ici, le d\u00e9clencheur n\u2019est pas une potion, mais des sons particuliers. \u00c9l\u00e9ment troublant, l\u2019\u00e9tat de transe ou d\u2019hypnose n\u2019alt\u00e8re pas les facult\u00e9s cognitives ou mentales du tueur, mais sa perception de la r\u00e9alit\u00e9. Preuve en est avec la vue subjective de certaines s\u00e9quences o\u00f9 le floutage traduit la perte de rep\u00e8res visuels et auditifs. L\u2019empathie pour son personnage principal, \u00e0 la fois h\u00e9ros et antagoniste, joue de contradictions pour mieux d\u00e9stabiliser le spectateur. Elle n\u2019en est que plus probante.<\/p>\n

On ne peut pas \u00e9voquer un m\u00e9trage qui place la musique au c\u0153ur de son intrigue sans s\u2019y pencher \u00e0 minima. Les compositions sont mesur\u00e9es et parfaitement repr\u00e9sentatives du climat qui hante chaque plan. La prestation est d\u2019autant plus bluffante que le travail a \u00e9t\u00e9 effectu\u00e9 avant le tournage du film. Une mani\u00e8re de proc\u00e9d\u00e9 \u00e0 l\u2019aveugle n\u00e9e de la volont\u00e9 du r\u00e9alisateur lui-m\u00eame. L\u2019intrication entre l\u2019image et les m\u00e9lodies est telle qu\u2019il est difficile d\u2019en imaginer la dissociation. Quant au Concerto Macabre for piano and orchestra, il est l\u2019incarnation m\u00eame de la psych\u00e9 tourment\u00e9e de son compositeur fictionnel, faisant s\u2019envoler des notes lourdes de sens, discordantes et envo\u00fbtantes.<\/p>\n

\"\"<\/a><\/p>\n

Au final, Hangover Square<\/strong> s\u2019inscrit dans l\u2019excellence de son pr\u00e9d\u00e9cesseur, Jack L\u2019\u00c9ventreur<\/strong>. Dans un contexte similaire, mais un registre diff\u00e9rent, le film de John Brahm<\/em> n\u2019en demeure pas moins un bijou d\u2019atmosph\u00e8re victorienne, notamment avec une bande-son exceptionnelle. L\u2019histoire fait montre de subtilit\u00e9s afin d\u2019exposer ses personnages et de d\u00e9velopper ses sujets. L\u2019art, comme l\u2019amour, c\u2019est l\u2019obsession subjective qu\u2019on veut bien leur porter. On regrettera toutefois la derni\u00e8re apparition de Laird Cregar<\/em>, acteur tout simplement remarquable. D\u2019ailleurs, l\u2019une de ses conversations avec le r\u00e9alisateur r\u00e9sonne comme une pr\u00e9diction myst\u00e9rieuse\u00a0: \u00ab\u00a0Ce sera mon dernier film\u00a0\u00bb. \u00c0 seulement 31 ans, il d\u00e9c\u00e8de peu de temps apr\u00e8s la fin du tournage d\u2019une crise cardiaque.<\/p>\n

Note\u00a0: 18\/20<\/strong><\/p>\n

[youtube]https:\/\/www.youtube.com\/watch?v=SW-KkfL7Zv4[\/youtube]<\/p>\n

Par Dante<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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