{"id":36607,"date":"2018-07-10T13:01:22","date_gmt":"2018-07-10T13:01:22","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=36607"},"modified":"2018-07-10T13:01:22","modified_gmt":"2018-07-10T13:01:22","slug":"le-pont-de-la-riviere-kwai","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=36607","title":{"rendered":"Le Pont de la Rivi\u00e8re Kwa\u00ef"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Titre Original\u00a0: <\/strong>The Bridge on the River Kwai<\/p>\n

De: <\/strong>David Lean<\/p>\n

Avec <\/strong>Alec Guinness, William Holden, Jack Hawkins, Sessue Hayakawa<\/p>\n

Ann\u00e9e: <\/strong>1957<\/p>\n

Pays: <\/strong>Angleterre, Etats-Unis<\/p>\n

Genre: <\/strong>Guerre<\/p>\n

R\u00e9sum\u00e9:<\/strong><\/p>\n

En 1943, un r\u00e9giment anglais intern\u00e9 dans un camp de prisonniers en Birmanie est affect\u00e9 \u00e0 la construction d’un pont en pleine jungle. Apr\u00e8s s’\u00eatre oppos\u00e9 \u00e0 ce projet, le colonel c\u00e8de aux exigences japonaises. Il ignore que les Am\u00e9ricains pr\u00e9parent le dynamitage du pont…<\/p>\n

Avis\u00a0:<\/strong><\/p>\n

Certaines \u0153uvres disposent d\u2019une aura intemporelle d\u00e9finitivement ancr\u00e9e dans la culture et l\u2019imaginaire collectif. M\u00eame sans le conna\u00eetre par c\u0153ur, l\u2019air sifflot\u00e9 par le groupe de prisonniers britannique reste la composition la plus m\u00e9morable du m\u00e9trage de David Lean<\/em>. Pour le cin\u00e9aste, Le pont de la rivi\u00e8re Kwai<\/strong> marque le d\u00e9but de la cons\u00e9cration et de sa propension \u00e0 d\u00e9peindre des fresques historiques \u00e0 l\u2019envergure mythologique. Une pr\u00e9dilection qui donnera par la suite des chefs d\u2019\u0153uvre tout aussi incontournables, comme Lawrence d\u2019Arabie<\/strong> et Le docteur Jivago<\/strong>. Ici, il s\u2019attelle au roman \u00e9ponyme de Pierre Boulle<\/em>, \u00e9galement auteur de La plan\u00e8te des singes<\/strong>.<\/p>\n

\"\"<\/a><\/p>\n

Si le contexte de la Seconde Guerre mondiale tend irr\u00e9m\u00e9diablement vers le film de guerre, David Lean<\/em> n\u2019en oublie pas pour autant le cadre exotique et l\u2019esprit d\u2019aventure qui \u00e9mane du roman. De fait, on ne cat\u00e9gorisera pas forc\u00e9ment son film dans un style plut\u00f4t qu\u2019un autre. Le ton donn\u00e9 pr\u00e9sente un amalgame subtil pour mieux se concentrer sur l\u2019histoire tout en tirant le meilleur parti des codes des genres pr\u00e9cit\u00e9s. Une progression m\u00e9ticuleuse, un rythme soutenu, ainsi qu\u2019une ambiance unique. L\u2019immersion est totale, scindant la trame en plusieurs arcs narratifs, notamment le refus de coop\u00e9rer, la cohabitation, pour ensuite d\u00e9boucher sur la concr\u00e9tisation d\u2019une \u0153uvre en d\u00e9pit du climat dans lequel elle a \u00e9t\u00e9 con\u00e7ue.<\/p>\n

Sur bien des points, Le pont de la rivi\u00e8re Kwai<\/strong> fait office de pr\u00e9curseur. Il ouvre la voie aux films de commandos tels que Les canons de Navarone<\/strong>, Quand les aigles attaquent<\/strong> ou Les 12 salopards<\/strong>. Le pr\u00e9sent m\u00e9trage pr\u00e9figure \u00e9galement des tons plus dramatiques, comme le fera 26 ans plus tard Furyo<\/strong>. Dans une certaine mesure, on peut m\u00eame songer \u00e0 La grande \u00e9vasion<\/strong>. \u00c0 peine au sortir de la Seconde Guerre mondiale, on pourrait craindre une certaine opposition des forces avec un traitement manich\u00e9en. Si la premi\u00e8re partie confirme ce constat, elle s\u2019estompe sit\u00f4t la construction du pont entam\u00e9e. Ce qui s\u2019annonce comme un sujet de controverse et de diff\u00e9rence tend davantage vers le rapprochement.<\/p>\n

Car si l\u2019on songe \u00e0 une collaboration plus ou moins volontaire, la grande qualit\u00e9 de l\u2019histoire est de brouiller la fronti\u00e8re entre prisonniers et ge\u00f4liers. Le fait qu\u2019aucuns miradors ou barbel\u00e9s ne soient install\u00e9s y concourt grandement\u00a0; quand bien m\u00eame la jungle est un lieu suffisamment inhospitalier pour tuer. De m\u00eame, les \u00e9changes effacent l\u2019hostilit\u00e9 premi\u00e8re \u00e0 une cordialit\u00e9 toute mesur\u00e9e, notamment lorsqu\u2019il s\u2019agit de mettre en commun les comp\u00e9tences pour construire un pont suffisamment robuste pour le passage d\u2019un train. Pour autant, il n\u2019est pas question d\u2019alt\u00e9rer les conditions de travail difficiles, voire extr\u00eames, d\u2019un tel camp.<\/p>\n

Bien que l\u2019on ne s\u2019attardera pas sur les exactions commises dans les camps de prisonniers, de nombreuses allusions sont faites pour d\u00e9peindre un quotidien min\u00e9 par la mort. La s\u00e9quence d\u2019ouverture sur le cimeti\u00e8re en est l\u2019exemple le plus repr\u00e9sentatif. Cela vaut \u00e9galement pour les possibilit\u00e9s de soin dans l\u2019infirmerie, ainsi que la rudesse du climat. Le \u00ab\u00a0four\u00a0\u00bb sera par la m\u00eame l\u2019un des passages les plus \u00e9prouvants pour les protagonistes. Personnages qui, au demeurant, b\u00e9n\u00e9ficient d\u2019un background de qualit\u00e9\u00a0; le tout appuy\u00e9 par une interpr\u00e9tation exceptionnelle d\u2019un casting non moins prestigieux. Alec Guinness<\/em> et William Holden<\/em> sont irr\u00e9prochables en tout point.<\/p>\n

\"\"<\/a><\/p>\n

De tout temps, rares sont les adaptations \u00e0 profiter d\u2019un tel traitement. Le pont de la rivi\u00e8re Kwai <\/strong>ne vieillit nullement et m\u00e9rite amplement son statut de film culte. Nanti d\u2019une intrigue intelligente, le film de David Lean<\/em> raconte l\u2019histoire d\u2019hommes et de leur rapport \u00e0 la guerre, au pouvoir. La progression reste non moins percutante. D\u2019abord symbole d\u2019une d\u00e9fiance relative \u00e0 la situation des prisonniers et de leurs entraves sinon physiques, d\u2019ordre moral, le pont devient synonyme d\u2019\u00e9mancipation des codes de la guerre et des cultures. Au conflit entre Japonais et Britanniques, succ\u00e8de un sentiment de libert\u00e9 traduit par la pose d\u2019un panneau m\u00e9morial. Une consid\u00e9ration aussit\u00f4t annihil\u00e9e par l\u2019\u00e2pret\u00e9 de la r\u00e9alit\u00e9 lors du d\u00e9nouement qui, en point d\u2019orgue de cette immense fresque, souligne le non-sens de la guerre avec un seul mot\u00a0: \u00ab\u00a0Folie\u00a0\u00bb. Un film inoubliable.<\/p>\n

Note\u00a0: 19\/20<\/strong><\/p>\n

[youtube]https:\/\/www.youtube.com\/watch?v=D0wMK5qJSC0[\/youtube]<\/p>\n

Par\u00a0Dante<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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