{"id":3586,"date":"2013-08-23T18:11:51","date_gmt":"2013-08-23T18:11:51","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=3586"},"modified":"2013-08-23T18:11:51","modified_gmt":"2013-08-23T18:11:51","slug":"hoobastank-fight-or-flight","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=3586","title":{"rendered":"Hoobastank – Fight or Flight"},"content":{"rendered":"

\"HOOBA-COVER\"<\/a><\/p>\n

Avis\u00a0:<\/b><\/p>\n

Il y a des groupes que l\u2019on a connus avant un succ\u00e8s fulgurant et que ce succ\u00e8s a d\u00e9finitivement chang\u00e9. C\u2019est le cas pour Hoobastank<\/b>. Cr\u00e9\u00e9 en 1994 lors d\u2019un battle de groupe de rock, le groupe va s\u2019inspirait du grunge pour faire leur musique. Leur premier album sort en 1999, They Sure Don\u2019t Make Basketball Shorts Like They Used To<\/b> et n\u2019est pas un franc succ\u00e8s, ne s\u2019\u00e9coulant qu\u2019\u00e0 2000 exemplaires. C\u2019est en 2001 que sort leur second album, \u00e9ponyme, et l\u00e0, le groupe commence \u00e0 se faire conna\u00eetre, notamment gr\u00e2ce \u00e0 des tourn\u00e9es avec Papa Roach<\/b>, Incubus<\/b> et P.O.D<\/b>. Les critiques sont plut\u00f4t bonnes mais cela ne suffit pas au groupe qui repart faire un troisi\u00e8me album. En 2004 sort The Reason<\/b>, qui sera un gros carton, notamment gr\u00e2ce au titre The Reason<\/i>. Mais on peut d\u00e9j\u00e0 entrevoir la tournure du groupe, qui se focalise sur un pop rock soft et m\u00e9lancolique afin d\u2019attirer un maximum de groupies. En manque de sexe\u00a0? Peut-\u00eatre. Quoiqu\u2019il en soit, en 2006 sort leur quatri\u00e8me opus, Every Man For Himself<\/b>, un album calme et centr\u00e9 sur la voix de Douglas Robb <\/i>le chanteur. Le succ\u00e8s sera n\u00e9anmoins moins pr\u00e9sent. For(n)ever<\/b> sort en 2009 et n\u2019aura pas non plus un franc succ\u00e8s commercial. C\u2019est en \u00e9t\u00e9 2012 que sort Fight or Flight<\/b>, le dernier opus de Hoobastank<\/b>. Et que vaut-il celui-ci\u00a0? Retour au grunge ou rock pour midinettes\u00a0? Jetons une oreille avis\u00e9e \u00e0 ce skeud\u00a0!<\/p>\n

En \u00e9coutant la premi\u00e8re chanson, on pourrait croire que le groupe renait de ses cendres avec This is Gonna Hurt<\/i>. Le morceau est \u00e9nergique, la rythmique assez puissante et il ouvre de fa\u00e7on tr\u00e8s sympathique le nouveau skeud. N\u00e9anmoins, on va assez vite d\u00e9chanter avec le morceau suivant, qui, m\u00eame s\u2019il est \u00e9nergique, demeure tr\u00e8s faible au niveau de sa construction et son refrain est l\u00e9nifiant au possible. Seule la fin du morceau rel\u00e8ve un peu le niveau. Bref, You Before Me<\/i> n\u2019est pas terrible et annonce une suite des moins r\u00e9jouissantes. Si le groupe essaye parfois de sortir de son image de groupes \u00e0 filles, il n\u2019y arrivera jamais, la faute \u00e0 une r\u00e9currence dans les morceaux calmes aux refrains insupportables. Mais le pire, c\u2019est que tous ces morceaux se succ\u00e8dent et n\u2019emporteront jamais l\u2019album. Ainsi Can You Save Me <\/i>est insupportable \u00e0 cause d\u2019une guitare redondante et d\u2019un sch\u00e9ma classique et chiant. No Destination<\/i> est construit sur le m\u00eame th\u00e8me et on a presque l\u2019impression d\u2019\u00e9couter le m\u00eame morceau. Slow Down<\/i> est la m\u00eame chose que pr\u00e9c\u00e9demment mais poss\u00e8de un refrain qui rentre un peu mieux dans la t\u00eate. Sing What You Can\u2019t Say<\/i> est le morceau typique \u00e0 la The Reason<\/i>, insupportable, mou et qui n\u2019est l\u00e0 que pour les jeunes demoiselles. Le skeud se termine sur A Thousand Words<\/i>, qui est r\u00e9solument le morceau qui montre le plus la ligne de conduite du groupe, vers quelque chose de mou et qui n\u2019est l\u00e0 que pour faire du pop rock sans grand int\u00e9r\u00eat. Par contre, le skeud n\u2019est pas d\u00e9nu\u00e9 de qualit\u00e9s. Magnolia<\/i> est l\u2019exemple de morceau calme mais vraiment bien qui fournit ce qu\u2019il faut d\u2019\u00e9nergie et d\u2019\u00e9motion. On peut aussi citer Incomplete<\/i>, avec son introduction qui ressemble au d\u00e9but de Boys Don\u2019t Cry<\/i> de The Cure<\/b>, bien que la comparaison s\u2019arr\u00eate aux cinq premi\u00e8res secondes, et sa suite, qui est assez \u00e9nergique et met de bonne humeur. Malheureusement, trois titres sur un album en entier, c\u2019est assez faible.<\/p>\n

\"hoobastank\"<\/a><\/p>\n

Bien \u00e9videmment, le but de toutes ces chansons faiblardes, en plus d\u2019attirer les gazelles, et de faire valoir la douce voix de Douglas Robb. Alors oui, il poss\u00e8de un bel organe, assez puissant pour assurer dans les moments un peu plus forts, mais surtout tr\u00e8s juste dans les morceaux calmes. Mais, il ne poss\u00e8de pas forc\u00e9ment une grande voix, ce qui l\u2019emp\u00eache de faire certaines envol\u00e9es sur des morceaux qui auraient pu prendre plus d\u2019ampleur. Ainsi, on sera toujours face \u00e0 des morceaux relativement plats et qui n\u2019auront aucune puissance et aucune personnalit\u00e9. Alors certes, c\u2019est suffisant pour passer sur les charts et \u00eatre connu, mais question technique et imagination, on repassera.<\/p>\n

Au final, Fight or Flight, le dernier album de Hoobastank est une am\u00e8re d\u00e9ception. Sorte de pop rock teint\u00e9 de pop marshmallow, le skeud ne prendra jamais son envol et celui qui \u00e9coute attendra patiemment et respectueusement la fin, mais n\u2019y reviendra pas, ou alors pour deux morceaux. Ce qui est faible pour un album de 11 pistes. Bref, un album plut\u00f4t dispensable.<\/p>\n

    \n
  1. This is Gonna Hurt<\/li>\n
  2. You Before Me<\/li>\n
  3. The Fallen<\/li>\n
  4. Can You Save Me<\/li>\n
  5. No Destination<\/li>\n
  6. Slow Down<\/li>\n
  7. No Win Situation<\/li>\n
  8. Sing What You Can\u2019t Say<\/li>\n
  9. Magnolia<\/li>\n
  10. Incomplete<\/li>\n
  11. A Thousand Words<\/li>\n<\/ol>\n

    Note\u00a0: 08\/20<\/b><\/p>\n

    [youtube]http:\/\/www.youtube.com\/watch?v=FYnbuWfOAJM[\/youtube]<\/p>\n

    Par AqME<\/strong><\/p>\n

    \"Mickey\"<\/a>Note de Mickey: 13\/20<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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