{"id":35278,"date":"2018-04-17T15:40:44","date_gmt":"2018-04-17T15:40:44","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=35278"},"modified":"2018-04-17T15:40:44","modified_gmt":"2018-04-17T15:40:44","slug":"standoff","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=35278","title":{"rendered":"Standoff"},"content":{"rendered":"

\"\"<\/a><\/p>\n

De\u00a0: <\/strong>Adam Alleca<\/p>\n

Avec <\/strong>Laurence Fishburne, Thomas Jane, Ella Ballentine, Jim Watson<\/p>\n

Ann\u00e9e\u00a0: <\/strong>2016<\/p>\n

Pays\u00a0: <\/strong>Etats-Unis<\/p>\n

Genre\u00a0: <\/strong>Thriller<\/p>\n

R\u00e9sum\u00e9\u00a0:<\/strong><\/p>\n

Un ancien soldat prend sous son aile un orphelin poursuivi par un tueur sadique.<\/p>\n

Avis\u00a0:<\/strong><\/p>\n

S\u2019il est parfois difficile d\u2019innover dans un genre donn\u00e9, il est certaines th\u00e9matiques propres aux films d\u2019action ou aux thrillers qui, une fois d\u00e9couvertes, ne laissent que peu de doute quant \u00e0 l\u2019issue de l\u2019intrigue. Constat d\u2019autant plus appuy\u00e9 si la production en cause est calibr\u00e9e pour le march\u00e9 du DTV. Aussi, comment peut-on attendre au tournant Men on Fire<\/strong>\u00a0? Suffisamment \u00e9vasif, le pitch initial rappelle La piste du tueur<\/strong> de Jeb Stuart<\/em>. Enfin, dans une certaine mesure, car la confrontation des deux protagonistes ne s\u2019effectue pas par le biais d\u2019un jeu du chat et la souris sur les routes du Texas. Ici, on s\u2019approprie les codes du huis clos. Une approche qui pourrait bien surprendre\u2026<\/p>\n

\"\"<\/a><\/p>\n

Et dans le domaine, Adam Alleca<\/em> a d\u00e9j\u00e0 pu se distinguer en \u00e9crivant le sc\u00e9nario du remake de La derni\u00e8re maison sur la gauche<\/strong>. Apr\u00e8s sept ann\u00e9es d\u2019absence, il passe \u00e0 la r\u00e9alisation pour narrer l\u2019histoire d\u2019un tueur \u00e0 gages qui se retrouve aux pieds d\u2019un escalier, tandis que sa victime se trouve \u00e0 l\u2019\u00e9tage. Le probl\u00e8me\u00a0? Le propri\u00e9taire des lieux (Thomas Jane<\/em>) qui est en haut dudit escalier, une cheville mal en point et un stock de munitions pour le moins r\u00e9duit. En de telles circonstances, on devine mal l\u2019int\u00e9r\u00eat de la chose tant elle n\u2019a pas presque rien \u00e0 raconter. Un pitch initial pas vraiment porteur d\u2019originalit\u00e9, un budget modeste et un environnement tout aussi restreint ne sont pas forc\u00e9ment faits pour rassurer.<\/p>\n

Il est vrai que le pr\u00e9texte est facile et que l\u2019intrigue n\u2019\u00e9chappe pas \u00e0 une certaine redondance, notamment dans l\u2019affrontement perp\u00e9tuel des deux personnages principaux. Le fait de combler les vides par des discussions de remplissage laisse augurer du pire. De n\u00e9gociations en brimades, sans oublier les r\u00e9v\u00e9lations sur le pass\u00e9 de l\u2019un et de l\u2019autre, on se situe dans un cadre assez conventionnel. La progression est \u00e9galement lin\u00e9aire, voire statique, au vu des contraintes spatiales impos\u00e9es. L\u2019on se dit qu\u2019on tient l\u00e0 un m\u00e9lange action\/thriller sans saveur et pourtant, l\u2019int\u00e9r\u00eat m\u00eame du film survient au fur et \u00e0 mesure que l\u2019on d\u00e9couvre, non pas la teneur du duel, mais son \u00e9volution.<\/p>\n

Le simple fait de ne pas multiplier les fusillades \u00e0 tout-va, faute de munitions suffisantes, accentue d\u2019embl\u00e9e la tension. Le rapport de force peut para\u00eetre d\u00e9s\u00e9quilibr\u00e9, mais c\u2019est sans compter la connaissance du lieu et un certain passif militaire. Si l\u2019histoire est constamment entrecoup\u00e9e de discussions plus ou moins st\u00e9riles, les interm\u00e8des jouent la carte de la vari\u00e9t\u00e9. Tentative de fuite, pr\u00e9paratifs pour se prot\u00e9ger, arriv\u00e9e inopin\u00e9e d\u2019intervenants secondaires\u2026 Ce qui s\u2019avan\u00e7ait comme un p\u00e9nible moment statique entre deux individus se solde par une confrontation qui gagne en intensit\u00e9. \u00c9galement sc\u00e9nariste sur son propre film, Adam Alleca<\/em> n\u2019use m\u00eame pas de facilit\u00e9s pour parvenir \u00e0 ses fins.<\/p>\n

On \u00e9voque les possibilit\u00e9s du tueur (le massif Laurence Fishburne<\/em>) pour mettre un terme \u00e0 une situation qui lui \u00e9chappe, comme l\u2019incendie ou la n\u00e9gociation. Le fait de multiplier les incidents annexes contribue aussi \u00e0 rendre l\u2019intrigue plausible et entra\u00eenante. La perte du t\u00e9l\u00e9phone portable, le risque de coupures d\u2019\u00e9lectricit\u00e9 \u00e0 la tomb\u00e9e de la nuit, l\u2019isolement de la propri\u00e9t\u00e9, sans oublier les dilemmes d\u2019ordre moral qui s\u2019impose aux deux camps\u2026 Chaque aspect a sa petite importance pour aboutir \u00e0 un final qui, s\u2019il demeure somme toute pr\u00e9visible, poss\u00e8de quelques d\u00e9tails ironiques \u00e0 m\u00eame de conclure l\u2019entreprise par un ultime pied de nez.<\/p>\n

\"\"<\/a><\/p>\n

Contre toute attente, Men on Fire<\/strong> est une modeste surprise. Si cette production ne paye pas de mine, notamment au regard du pr\u00e9texte de base, elle se rattrape par une bonne ma\u00eetrise du temps et de son espace restreint. La vari\u00e9t\u00e9 des situations associ\u00e9e \u00e0 un traitement r\u00e9aliste contribue \u00e0 rendre l\u2019initiative int\u00e9ressante, \u00e0 d\u00e9faut de se montrer originale. Il en r\u00e9sulte un DTV dont le parcours \u00e0 mi-chemin entre le film d\u2019action et le thriller offre un huis clos honn\u00eate, m\u00eame si non d\u00e9nu\u00e9 d\u2019imperfections. Voil\u00e0 un film qui n\u2019a peut-\u00eatre pas grand-chose \u00e0 dire, mais qui raconte son histoire correctement, et ce, avec peu de moyens.<\/p>\n

Note\u00a0: 13\/20<\/strong><\/p>\n

[youtube]https:\/\/www.youtube.com\/watch?v=RgQH6snjLj4[\/youtube]<\/p>\n

Par Dante<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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