{"id":34113,"date":"2018-02-18T12:28:55","date_gmt":"2018-02-18T12:28:55","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=34113"},"modified":"2020-09-09T12:09:15","modified_gmt":"2020-09-09T12:09:15","slug":"the-room","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=34113","title":{"rendered":"The Room"},"content":{"rendered":"

\"\"<\/a><\/p>\n

De : <\/strong>Tommy Wiseau<\/p>\n

Avec <\/strong>Tommy Wiseau, Greg Sestero, Juliette Danielle, Philip Haldiman<\/p>\n

Ann\u00e9e : <\/strong>2003<\/p>\n

Pays : <\/strong>Etats-Unis<\/p>\n

Genre : <\/strong>Drame<\/p>\n

R\u00e9sum\u00e9 :<\/strong><\/p>\n

Follement amoureux de sa fianc\u00e9e, Lisa, Johnny ne r\u00e9alise pas qu’elle est malheureuse…<\/p>\n

Avis :<\/strong><\/p>\n

En 2003, Tommy Wiseau<\/em> signait The Room<\/strong>, une daube absolue, qui a gagn\u00e9 au fil du temps le statut de \u00ab pire film de tous les temps \u00bb. Tr\u00e8s vite, une \u00e9norme communaut\u00e9 de fans s\u2019est mise \u00e0 aduler cette \u0153uvre, qui, gr\u00e2ce \u00e0 \u00e7a, a r\u00e9sist\u00e9 aux ann\u00e9es. Avec The Disaster Artist<\/strong>, livre de Greg Sestero<\/em>, adapt\u00e9 au cin\u00e9ma par James Franco<\/em>, qui retrace la conception de The Room<\/strong>, Tommy Wiseau<\/em> est revenu sur le devant de la sc\u00e8ne.<\/p>\n

\"\"<\/a><\/p>\n

Une soir\u00e9e pour les fans de Tommy Wiseau <\/strong><\/p>\n

Le Grand Rex n\u2019a pas fait les choses \u00e0 moiti\u00e9. Avec la pr\u00e9sence du r\u00e9alisateur Tommy Wiseau<\/em> et du producteur Greg Sestero<\/em>, la soir\u00e9e permettait une rencontre entre ces deux \u00e9tranges individus et leur communaut\u00e9 de fans. Sur la sc\u00e8ne du Grand Rex, le ma\u00eetre de c\u00e9r\u00e9monie pose les questions des followers directement au r\u00e9alisateur. Une proc\u00e9dure (trop) longue qui n\u2019a pas permis d\u2019apprendre grand-chose si ce n\u2019est que Tommy Wiseau<\/em> et Greg Sestero<\/em> pr\u00e9parent un nouveau film : The Best Friends<\/strong>. Le retour du duo 18 ans apr\u00e8s The Room<\/strong>. Tommy Wiseau<\/em> a \u00e9galement \u00e9nonc\u00e9 sa soir\u00e9e aux Golden Globes, o\u00f9 il n\u2019a pu prononcer un mot. Une mise en sc\u00e8ne bien trop longue, accompagn\u00e9e de Karim Debbache<\/em>, d\u2019extraits vid\u00e9o parfois redondants, et un blabla proc\u00e9dural trop barbant, pour faire patienter une salle comble avant la diffusion de The Room<\/strong>.<\/p>\n

\"\"<\/a><\/p>\n

The Room : un navet parfait <\/strong><\/p>\n

The Room<\/strong> est bien le navet annonc\u00e9. Une sitcom de 1h40, qui se rapproche davantage des Feux de l\u2019Amour<\/strong> que d\u2019un v\u00e9ritable film. Montage paresseux, dialogues inexistants, d\u00e9cor limit\u00e9, sc\u00e9nario absent, et situations terriblement redondantes. Sans une once d\u2019inventivit\u00e9, les protagonistes tournent en rond avec des buts primaires qui tournent autour du cul. Tommy Wiseau<\/em> se fait passer pour un bon samaritain, trahi par ses proches et par la vie elle-m\u00eame. The Room<\/strong> est un film sans \u00e2me, sans l\u2019once d\u2019une approche \u00e9tonnante ou m\u00eame comique. Si ce n\u2019est par pur plaisir masochiste ou pour se foutre litt\u00e9ralement de la t\u00eate de Tommy Wiseau<\/em> and Co, le long m\u00e9trage n\u2019apporte strictement rien.<\/p>\n

Ennuyeux \u00e0 mourir, la salle, surexcit\u00e9e, a donn\u00e9 le ton pour cette s\u00e9ance. A gorges d\u00e9ploy\u00e9es, le public commente, crie, rit, et ponctue le film d\u2019interactions bienvenues qui permettent de faire passer la pilule plus facilement. Lorsqu\u2019une porte reste ouverte, la salle s\u2019\u00e9gosille : \u00ab La Porteeeeee !!! \u00bb, d\u00e8s qu\u2019une image de la ville appara\u00eet, s\u2019en suit un \u00e9norme \u00ab San Francisco \u00bb cri\u00e9 \u00e0 tue-t\u00eate, et quand une cuill\u00e8re appara\u00eet, le public lance dans les airs de petites cuill\u00e8res en plastique distribu\u00e9es par l\u2019organisation. Un v\u00e9ritable spectacle davantage dans la salle que sur l\u2019\u00e9cran. Finalement, ce n\u2019est pas tant The Room<\/strong> en lui-m\u00eame qui attise la curiosit\u00e9 mais bien les r\u00e9actions extravagantes d\u2019un public qui semblait avoir pris un rail de coke avant de s\u2019installer sur leurs si\u00e8ges.<\/p>\n

\"\"<\/a><\/p>\n

Une sacralisation \u00e9tonnante : <\/strong><\/p>\n

Comment expliquer ce ph\u00e9nom\u00e8ne ? Comment The Room<\/strong> est parvenu \u00e0 se cr\u00e9er une si grosse base de fans ? Alors que certains sont dans l\u2019auto-d\u00e9rision totale, d\u2019autres sont v\u00e9ritablement attach\u00e9s \u00e0 cette \u0153uvre. Comment The Room<\/strong>, malgr\u00e9 sa vacuit\u00e9, est devenu autant culte ? Forc\u00e9ment, quand un film a le titre de \u00ab pire film \u00bb, cela attise la curiosit\u00e9, et les gens regardent ce que \u00e7a donne. Cela suffit \u00e0 un film pour braver les ann\u00e9es. Tant qu\u2019on parle de lui, m\u00eame en mal, cela suffit \u00e0 garder une certaine aura au fil du temps. Mais The Room <\/strong>n\u2019a rien d\u2019un ovni, aucun apport artistique, aucune id\u00e9e un peu originale, aucun dialogue fun ne ressort de cette \u0153uvre, et rien ne permet de fonder cette fascination autour du film. Comment cette base de fans s\u2019est-elle construite ? Et surtout autour de quoi ? C\u2019est davantage son h\u00e9ritage qui a apport\u00e9 de la visibilit\u00e9 \u00e0 The Room<\/strong>. Gr\u00e2ce aux innombrables montages vid\u00e9o, aux nombreux commentaires, aux \u00e9missions consacr\u00e9es \u00e0 The Room<\/strong>, aux Youtubers, le film est devenu un v\u00e9ritable m\u00eame, un virus sur internet. Ce statut s\u2019est accentu\u00e9 par les r\u00e9seaux sociaux, et par l\u2019h\u00e9ritage octroy\u00e9 par le public. C\u2019est d\u00e9finitivement ce qu\u2019en a fait la communaut\u00e9 d\u2019internet qui a offert cette popularit\u00e9 \u00e0 The Room<\/strong>, plus que le film lui-m\u00eame. Le public suit le mouvement, hypnotis\u00e9 par cette soci\u00e9t\u00e9 qui magnifie un guignol, esquisse un bouffon sur la place public, comme pour se rassurer de ses propres hantises.<\/p>\n

\"\"<\/a><\/p>\n

The Room<\/strong> s’apparente \u00e0 une mauvaise sitcom am\u00e9ricaine mix\u00e9e aux Feux de l’amour<\/strong>. Il est difficile de comprendre le g\u00e9nie que lui portent certains spectateurs tant le film est lamentable et ne s’approche jamais du g\u00e9nie. Pour autant, la soir\u00e9e du Grand Rex \u00e9tait une exp\u00e9rience int\u00e9ressante qui confronte une \u0153uvre \u00e0 son spectateur et qui d\u00e9montre que la notori\u00e9t\u00e9 de l\u2019art ne se calcule par en termes de talent, mais en termes de r\u00e9ception de l\u2019opinion publique.<\/p>\n

[youtube]https:\/\/www.youtube.com\/watch?v=tfMTHIwTUXA[\/youtube]<\/p>\n

Par Aubin<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

De : Tommy Wiseau Avec Tommy Wiseau, Greg Sestero, Juliette Danielle, Philip Haldiman Ann\u00e9e : 2003 Pays : Etats-Unis Genre : Drame R\u00e9sum\u00e9 : Follement amoureux de sa fianc\u00e9e, Lisa, … <\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"yoast_head":"\nThe Room - Lavisqteam.fr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lavisqteam.fr\/?p=34113\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Room - Lavisqteam.fr\" \/>\n<meta property=\"og:description\" content=\"De : Tommy Wiseau Avec Tommy Wiseau, Greg Sestero, Juliette Danielle, Philip Haldiman Ann\u00e9e : 2003 Pays : Etats-Unis Genre : Drame R\u00e9sum\u00e9 : Follement amoureux de sa fianc\u00e9e, Lisa, …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.lavisqteam.fr\/?p=34113\" \/>\n<meta property=\"og:site_name\" content=\"Lavisqteam.fr\" \/>\n<meta property=\"article:published_time\" content=\"2018-02-18T12:28:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-09T12:09:15+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.lavisqteam.fr\/wp-content\/uploads\/2018\/02\/276576.jpg-r_1920_1080-f_jpg-q_x-xxyxx-794x1024.jpg\" \/>\n<meta name=\"author\" content=\"Aubin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Aubin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=34113#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=34113\"},\"author\":{\"name\":\"Aubin\",\"@id\":\"https:\/\/www.lavisqteam.fr\/#\/schema\/person\/831697ca84ae7f994b9e88d7ea2cb5b6\"},\"headline\":\"The Room\",\"datePublished\":\"2018-02-18T12:28:55+00:00\",\"dateModified\":\"2020-09-09T12:09:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=34113\"},\"wordCount\":964,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.lavisqteam.fr\/#organization\"},\"articleSection\":[\"Cin\u00e9ma\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.lavisqteam.fr\/?p=34113#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=34113\",\"url\":\"https:\/\/www.lavisqteam.fr\/?p=34113\",\"name\":\"The Room - 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