{"id":32446,"date":"2017-11-08T19:47:26","date_gmt":"2017-11-08T19:47:26","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=32446"},"modified":"2020-09-09T12:11:13","modified_gmt":"2020-09-09T12:11:13","slug":"a-beautiful-day-joaquin-phoenix-au-sommet","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=32446","title":{"rendered":"A Beautiful Day – Joaquin Phoenix au Sommet"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Titre Original : <\/strong>You Were Never Really Here<\/p>\n

De: <\/strong>Lynne Ramsay<\/p>\n

Avec <\/strong>Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola, Alex Manette<\/p>\n

Ann\u00e9e : <\/strong>2017<\/p>\n

Pays : <\/strong>Angleterre, France, Etats-Unis<\/p>\n

Genre : <\/strong>Thriller, Drame<\/p>\n

R\u00e9sum\u00e9 :<\/strong><\/p>\n

La fille d\u2019un s\u00e9nateur dispara\u00eet. Joe, un v\u00e9t\u00e9ran brutal et tortur\u00e9, se lance \u00e0 sa recherche. Confront\u00e9 \u00e0 un d\u00e9ferlement de vengeance et de corruption, il est entra\u00een\u00e9 malgr\u00e9 lui dans une spirale de violence…<\/p>\n

Avis :<\/strong><\/p>\n

Lynne Ramsay<\/em>, qui s\u2019est r\u00e9v\u00e9l\u00e9e avec We need to talk about Kevin<\/strong>, revient cette semaine avec A Beautiful Day<\/strong>, un thriller radical, port\u00e9 par Joaquin Phoenix<\/em>, et r\u00e9compens\u00e9 par le prix du sc\u00e9nario et le prix d\u2019interpr\u00e9tation masculine au dernier Festival de Cannes. Avec son slogan \u00ab Le Taxi Driver<\/strong> du XXI\u00e8me si\u00e8cle \u00bb, que vaut cette \u0153uvre \u00e9tonnante ?<\/p>\n

\"\"<\/a><\/p>\n

Un thriller implicite et intimiste<\/p>\n

Alors que certaines critiques ont compar\u00e9 A Beautiful Day<\/strong> au cin\u00e9ma de Nicolas Winding Refn<\/em>, le traitement de Lynne Ramsay<\/em> est beaucoup plus subtil que celui du danois, virtuose de l\u2019image. Reste un ton et un traitement lancinant qui se rapproche effectivement de ce cin\u00e9ma contemplatif, qui repose l\u2019essentiel de son art sur le visuel. Mais la cin\u00e9aste est beaucoup moins ostentatoire, pr\u00e9f\u00e9rant la discr\u00e9tion \u00e0 l\u2019utilisation presque pr\u00e9tentieuse de la lumi\u00e8re, des couleurs et des plans fixes, marque de fabrique de NWR<\/em>. Pr\u00e9f\u00e9rant un traitement plus intimiste par un c\u00f4t\u00e9 visuel relativement r\u00e9aliste. La violence n\u2019est jamais magnifi\u00e9e, ni totalement mise en sc\u00e8ne, abord\u00e9e avec sobri\u00e9t\u00e9 et r\u00e9alisme. Les confrontations sont rapides, pr\u00e9cises, froides. La violence est souvent mise en hors champ, mais demeure tr\u00e8s explicite dans son expression, qui elle, n\u2019est pas dissimul\u00e9e. Ce parti pris cr\u00e9e une certaine intimit\u00e9 avec le personnage, parfaitement interpr\u00e9t\u00e9 par Joaquin Phoenix<\/em>, monstrueux, que ce soit physiquement ou dans son acting.<\/p>\n

L\u2019acteur, dont le talent n\u2019est plus \u00e0 prouver, signe ici une prestation touchante et muscl\u00e9e. Anim\u00e9 par une haine profonde, son esprit est d\u00e9s\u00e9quilibr\u00e9, \u00e0 cause d\u2019un traumatisme pass\u00e9. Celui-ci n\u2019est jamais pleinement expliqu\u00e9, ni montr\u00e9 \u00e0 l\u2019\u00e9cran. Un traitement implicite, via quelques flashs, quelques s\u00e9quences qui viennent se greffer \u00e0 l\u2019action principale. Le spectateur fait le reste, rassemble les \u00e9l\u00e9ments, et comprend pourquoi cet homme agit de la sorte. L\u2019\u00e9criture du personnage, intelligente, permet au spectateur de comprendre ce qui le motive, de comprendre son \u00e9tat mental d\u00e9plorable. Un personnage sans piti\u00e9 mais r\u00e9gi par ses propres codes. Le personnage est renversant, mais pas seulement gr\u00e2ce \u00e0 son \u00e9criture, surtout gr\u00e2ce \u00e0 Joaquin Phoenix<\/em>.<\/p>\n

 <\/p>\n

Un Taxi Driver<\/strong> du XXI\u00e8me si\u00e8cle ?<\/p>\n

La r\u00e9f\u00e9rence est \u00e9vidente. Joe (Joaquin Phoenix<\/em>) est un personnage dans la lign\u00e9e de celui de Taxi Driver<\/strong>. Robert De Niro<\/em> interpr\u00e9tait \u00e0 l\u2019\u00e9poque un v\u00e9ritable marginal dans le film de Scorsese<\/em>. Un personnage d\u00e9s\u00e9quilibr\u00e9, sans attache, sans famille, en qu\u00eate d\u2019un but. Il cherche \u00e0 impacter sa propre existence en agissant avec sens. On conna\u00eet la suite, cette recherche de Jodie Foster<\/em>, qu\u2019il faudra arracher au mac, mais surtout la recherche de soi \u00e0 travers l\u2019innocence d\u2019un enfant. Ici, m\u00eame si le final diff\u00e8re par quelques \u00e9l\u00e9ments, notamment du point de vue de l\u2019enfant, l\u2019histoire est sensiblement la m\u00eame. Joe est un homme bourru, qui a quelques probl\u00e8mes \u00e0 s\u2019accepter. Le background du personnage est davantage d\u00e9velopp\u00e9 dans A Beautiful Day<\/strong>, tandis que la violence rappelle effectivement le cin\u00e9ma de Scorsese<\/em>. Lynne Ramsay<\/em> s\u2019inspire \u00e9norm\u00e9ment de l\u2019\u0153uvre f\u00e9d\u00e9ratrice de Scorsese<\/em> mais avec davantage de calme et de subtilit\u00e9. Avec tr\u00e8s peu de dialogue, A Beautiful Day<\/strong> deviendra certainement moins culte que Taxi Driver<\/strong>, mais se cr\u00e9e sa propre identit\u00e9.<\/p>\n

La relation tri-g\u00e9n\u00e9rationnelle rappelle parfois le r\u00e9cent Logan<\/strong>. Un homme, plus vieux physiquement que son \u00e2ge, les traits du visage marqu\u00e9, mais au physique puissant, perdu dans une soci\u00e9t\u00e9 qui le d\u00e9passe. Un homme perdu avec ses propres d\u00e9mons, avec son pass\u00e9, qui s\u2019occupe de son a\u00een\u00e9. Dans A Beautiful Day<\/strong> il s\u2019agit de sa m\u00e8re. Un h\u00e9ros d\u00e9sabus\u00e9 de la rue qui va prot\u00e9ger une jeune fille contre sa propre volont\u00e9. Quoi qu\u2019il en soit, A Beautiful Day<\/strong> traite d\u2019un personnage passionnant, aux r\u00e9actions \u00e9tonnantes, le tout nimb\u00e9 dans une ambiance \u00e0 la fois intimiste, r\u00e9aliste et visuellement impressionnante. La bande son sert \u00e0 alimenter l\u2019ambiance \u00e0 la fois r\u00e9aliste, crasseuse, froide et parfois oppressante.<\/p>\n

\"\"<\/a><\/p>\n

A Beautiful Day<\/strong>, si ce n\u2019est dans son histoire, n\u2019a pas forc\u00e9ment la l\u00e9gitimit\u00e9 d\u2019\u00eatre compar\u00e9 \u00e0 Taxi Driver<\/strong>, tant Lynne Ramsay<\/em> parvient \u00e0 cr\u00e9er une identit\u00e9 propre. Le film, subtil et froid, est parfois \u00e0 la limite de la pr\u00e9tention, dans un traitement qui se veut parfois trop contemplatif, est port\u00e9 par l\u2019excellent Joaquin Phoenix<\/em>. L\u2019acteur signe une prestation muscl\u00e9e et puissante, et s\u2019inscrit comme un des meilleurs acteurs de sa g\u00e9n\u00e9ration.<\/p>\n

Note : 15\/20<\/strong><\/p>\n

[youtube]https:\/\/www.youtube.com\/watch?v=3htqmWXWrnE[\/youtube]<\/p>\n

Par Aubin<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Titre Original : You Were Never Really Here De: Lynne Ramsay Avec Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola, Alex Manette Ann\u00e9e : 2017 Pays : Angleterre, France, Etats-Unis … <\/p>\n","protected":false},"author":7,"featured_media":32448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"yoast_head":"\nA Beautiful Day - Joaquin Phoenix au Sommet - Lavisqteam.fr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lavisqteam.fr\/?p=32446\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Beautiful Day - Joaquin Phoenix au Sommet - Lavisqteam.fr\" \/>\n<meta property=\"og:description\" content=\"Titre Original : You Were Never Really Here De: Lynne Ramsay Avec Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola, Alex Manette Ann\u00e9e : 2017 Pays : Angleterre, France, Etats-Unis …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.lavisqteam.fr\/?p=32446\" \/>\n<meta property=\"og:site_name\" content=\"Lavisqteam.fr\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-08T19:47:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-09T12:11:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.lavisqteam.fr\/wp-content\/uploads\/2017\/11\/3203560.jpg-r_1920_1080-f_jpg-q_x-xxyxx.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1777\" \/>\n\t<meta property=\"og:image:height\" content=\"740\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Aubin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Aubin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=32446#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=32446\"},\"author\":{\"name\":\"Aubin\",\"@id\":\"https:\/\/www.lavisqteam.fr\/#\/schema\/person\/831697ca84ae7f994b9e88d7ea2cb5b6\"},\"headline\":\"A Beautiful Day – Joaquin Phoenix au Sommet\",\"datePublished\":\"2017-11-08T19:47:26+00:00\",\"dateModified\":\"2020-09-09T12:11:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=32446\"},\"wordCount\":905,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.lavisqteam.fr\/#organization\"},\"articleSection\":[\"Cin\u00e9ma\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.lavisqteam.fr\/?p=32446#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.lavisqteam.fr\/?p=32446\",\"url\":\"https:\/\/www.lavisqteam.fr\/?p=32446\",\"name\":\"A Beautiful Day - 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