{"id":29794,"date":"2017-06-22T15:09:55","date_gmt":"2017-06-22T15:09:55","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=29794"},"modified":"2017-06-22T15:09:55","modified_gmt":"2017-06-22T15:09:55","slug":"conviction","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=29794","title":{"rendered":"Conviction"},"content":{"rendered":"

\"\"<\/a><\/p>\n

D\u2019Apr\u00e8s une Id\u00e9e de\u00a0: <\/strong>Liz Friedman et Liz Friedlander<\/p>\n

Avec <\/strong>Hayley Atwell, Eddie Cahill, Shawn Ashmore, Merrin Dungey<\/p>\n

Pays: <\/strong>Etats-Unis<\/p>\n

Nombre d\u2019Episodes: <\/strong>13<\/p>\n

Genre: <\/strong>Policier<\/p>\n

R\u00e9sum\u00e9:<\/strong><\/p>\n

Au sein du syst\u00e8me judiciaire am\u00e9ricain, rien n’est tout noir ou tout blanc. Il suffit de demander \u00e0 Hayes Morrison, avocate et fille de l’ex-Pr\u00e9sident des \u00c9tats-Unis. Apr\u00e8s avoir \u00e9t\u00e9 arr\u00eat\u00e9e pour possession de stup\u00e9fiants, elle fait face \u00e0 un dilemme : aller en prison ou accepter un emploi chez son rival, l’avocat new-yorkais Conner Wallace. Afin d’\u00e9viter de teinter la campagne \u00e9lectorale de sa m\u00e8re, Hayes d\u00e9cide d’accepter l’offre et se retrouve ainsi au sein d’une unit\u00e9 sp\u00e9ciale de la police \u00e0 travailler avec des experts dans de multiples domaines pour r\u00e9examiner des dossiers probl\u00e9matiques.<\/p>\n

Avis\u00a0:<\/strong><\/p>\n

Empruntant \u00e9norm\u00e9ment d\u2019\u00e9l\u00e9ments aux productions polici\u00e8res, les s\u00e9ries judiciaires sont tout aussi fournies que leurs homologues. R\u00e9pondant \u00e0 des codes clairement \u00e9tablis, il est tr\u00e8s difficile de s\u2019en affranchir. D\u2019une part, cela d\u00e9nature un genre \u00e0 part enti\u00e8re. D\u2019autre part, trouver une nouvelle approche est d\u00e9licat,\u00a0sans compte le risque de m\u00e9contenter les spectateurs. Pourtant, il existe bien quelques astuces pour proposer des projets de qualit\u00e9. On pense notamment \u00e0 l\u2019anticonformisme des protagonistes (Scandal<\/strong>) ou des intrigues inspir\u00e9es de faits r\u00e9els. Ce dernier point \u00e9tant le cas pour Conviction<\/strong>, le film de Tony Goldwyn<\/em> qui, en plus de son titre, partage \u00e9galement la m\u00eame th\u00e9matique que la pr\u00e9sente s\u00e9rie. \u00c0 savoir, les erreurs judiciaires.<\/p>\n

\"\"<\/a><\/p>\n

Dans le domaine, le sujet est propice \u00e0 titiller la fibre \u00e9motionnelle des spectateurs. La faillibilit\u00e9 du syst\u00e8me, la vie bris\u00e9e de \u00ab\u00a0monsieur Tout-le-Monde\u00a0\u00bb, les injustices et les pr\u00e9jug\u00e9s mis en exergue sur fond de pol\u00e9miques plus ou moins assum\u00e9es\u2026 Tout cela contribue \u00e0 mieux s\u2019identifier aux protagonistes, fussent-ils secondaires. Or, si Conviction<\/strong> peine \u00e0 convaincre le public et la critique, c\u2019est pour de multiples raisons. La premi\u00e8re r\u00e9side dans une mauvaise exploitation du contexte dramatique, alternant l\u00e9g\u00e8ret\u00e9 et gravit\u00e9 avec une d\u00e9concertante facilit\u00e9. Cela incombe en grande partie au personnage principal incarn\u00e9 par Hayley Atwell<\/em> (Agent Carter<\/strong>).<\/p>\n

Pr\u00f4nant le dilettantisme \u00e0 outrance, elle v\u00e9hicule tous les clich\u00e9s propres aux gosses de riches en mal de reconnaissances. Capricieuse, hautaine, arrogante, arriviste\u2026 Difficile de la trouver attachante, m\u00eame si elle tend \u00e0 s\u2019assagir en fin de parcours. Toujours est-il que son caract\u00e8re d\u00e9sint\u00e9ress\u00e9 (dans le mauvais sens du terme) influe sur la qualit\u00e9 des investigations. En l\u2019occurrence, le d\u00e9tachement dont elle fait preuve se r\u00e9v\u00e8le une composante clairement communicative. Contrairement \u00e0 l\u2019accablement et au sentiment de pers\u00e9cution dont elle s\u2019affuble, cette ancienne fille de pr\u00e9sident des \u00c9tats-Unis n\u2019est pas le seul frein \u00e0 la r\u00e9ussite de Conviction<\/strong>.<\/p>\n

Format t\u00e9l\u00e9vis\u00e9 oblige, chaque \u00e9pisode respecte une structure identique sur laquelle viennent se calquer des histoires ind\u00e9pendantes. Or, celles-ci usent d\u2019un faux suspense de rigueur qui les rend bien trop souvent pr\u00e9visibles au regard d\u2019un \u0153il averti. D\u2019embl\u00e9e, on sait que l\u2019acceptation d\u2019un dossier va entra\u00eener un compte \u00e0 rebours de 5 jours. Exception faite de l\u2019\u00e9pisode\u00a09 o\u00f9 la vie d\u2019un condamn\u00e9 est en jeu, cette contrainte temporelle n\u2019a aucune incidence sur les faits. Il convient \u00e0 l\u2019\u00e9quipe de v\u00e9rifier que tout a bien \u00e9t\u00e9 appliqu\u00e9 et que l\u2019accus\u00e9 est r\u00e9ellement coupable. On devine bien que, malgr\u00e9 les tergiversations et les d\u00e9tours narratifs, il ne peut en \u00eatre ainsi.<\/p>\n

\u00c0 aucun moment, on ne parvient \u00e0 partager le doute des diff\u00e9rents intervenants. \u00c0 force d\u2019investigations b\u00e2cl\u00e9es, de t\u00e9moignages recueillis \u00e0 l\u2019emporte-pi\u00e8ce et de reconstitutions contradictoires, il est \u00e9vident que l\u2019erreur judiciaire est manifeste. L\u2019apport d\u2019\u00e9l\u00e9ments nouveaux ne surprend gu\u00e8re, sauf par leur arriv\u00e9e tardive dans les enqu\u00eates respectives. Pour d\u00e9noncer les n\u00e9gligences du syst\u00e8me \u00e0 tous les niveaux (proc\u00e9dures polici\u00e8re ou judiciaire incluses), la s\u00e9rie exploite relativement bien les ficelles propres \u00e0 chaque sp\u00e9cialit\u00e9\u00a0; y compris celles de la police scientifique pour infirmer ou confirmer certains faits par quelques d\u00e9monstrations sur le terrain.<\/p>\n

Si les th\u00e9matiques brass\u00e9es demeurent int\u00e9ressantes, elles semblent ressasser des points de vue beaucoup trop conventionnels. Certaines enqu\u00eates auraient pu \u00eatre l\u2019occasion de r\u00e9viser une opinion, mettre \u00e0 mal celles de l\u2019\u00e9quipe ou poser des interrogations \u00e9thiques subtiles. On reste dans une approche tr\u00e8s conservatrice et conforme \u00e0 une vision trop restreinte du syst\u00e8me. La sempiternelle question de la peine de mort succ\u00e8de aux probl\u00e8mes de racisme et \u00e0 l\u2019irresponsabilit\u00e9 p\u00e9nale. On aurait aim\u00e9 un peu plus d\u2019audace et de cynisme, comme l\u2019\u00e9pisode\u00a03 et le point de vue subjectif de la justice. Peut-on rel\u00e2cher un innocent \u00e0 m\u00eame de commettre les crimes dont on l\u2019accuse\u00a0? De par sa conclusion et son approche nuanc\u00e9e,\u00a0il s\u2019agit du point d\u2019orgue de la s\u00e9rie.<\/p>\n

\"\"<\/a><\/p>\n

Au final, Conviction<\/strong> est une s\u00e9rie moyenne, pas compl\u00e8tement rat\u00e9e, mais certainement pas r\u00e9ussie. La base et le concept initial ont le m\u00e9rite de mettre en avant les d\u00e9rives d\u2019un syst\u00e8me plus fragile et faillible qu\u2019il n\u2019y para\u00eet. Pour autant, les intrigues se r\u00e9v\u00e8lent beaucoup trop conformistes et suscitent peu d\u2019interrogations dans leur morale. La compr\u00e9hension de l\u2019ensemble reste tr\u00e8s accessible, mais p\u00e2tit d\u2019un cadrage structurel beaucoup trop rigide pour se renouveler. On notera \u00e9galement un fil rouge quasi inexistant qui se r\u00e9sume aux frasques publiques et sentimentales d\u2019Hayes, personnage antipathique par excellence. Cette unique saison s\u2019av\u00e8re donc mal exploit\u00e9e au regard de ce qu\u2019elle \u00e9tait capable d\u2019apporter au genre.<\/p>\n

Note\u00a0: 12\/20<\/strong><\/p>\n

[youtube]https:\/\/www.youtube.com\/watch?v=KJqg6J4JeLg[\/youtube]<\/p>\n

Par Dante<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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