{"id":29768,"date":"2017-06-22T07:52:32","date_gmt":"2017-06-22T07:52:32","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=29768"},"modified":"2017-06-22T07:52:32","modified_gmt":"2017-06-22T07:52:32","slug":"amarcord","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=29768","title":{"rendered":"Amarcord"},"content":{"rendered":"

\"\"<\/a><\/p>\n

De\u00a0: <\/strong>Federico Fellini<\/p>\n

Avec <\/strong>Magali No\u00ebl, Pupella Maggio, Armando Brancia, Nando Orfei<\/p>\n

Ann\u00e9e\u00a0: <\/strong>1974<\/p>\n

Pays\u00a0: <\/strong>Italie, France<\/p>\n

Genre\u00a0: <\/strong>Com\u00e9die, Drame<\/p>\n

R\u00e9sum\u00e9\u00a0:<\/strong><\/p>\n

Dans un bourg italien pr\u00e8s de la mer, \u00e0 l’heure du fascisme triomphant, les enfants trainassent, cherchant des victimes pour leurs blagues innocentes. L’un d’eux va conna\u00eetre, en l’espace d’une ann\u00e9e, une s\u00e9rie d’exp\u00e9riences tour \u00e0 tour dr\u00f4les, savoureuses et poignantes.<\/p>\n

Avis\u00a0:<\/strong><\/p>\n

Illustre cin\u00e9aste italien, Federico Fellini<\/em> est l’un des papes du cin\u00e9ma, connu et reconnu pour son travail \u00e0 travers le monde. Son \u0153uvre est l’une des plus importantes jamais laiss\u00e9e et alors que le cin\u00e9aste est d\u00e9c\u00e9d\u00e9 depuis plus de vingt ans maintenant, son \u0153uvre convertit encore et encore de nouveaux cin\u00e9philes chaque ann\u00e9e.<\/p>\n

\u00ab\u00a0Amarcord<\/strong>\u00a0\u00bb est un moment entre fantaisie et r\u00e9alit\u00e9, c’est un film onirique, riche, nostalgique et touchant. On s’amuse, on sourit, on rit, on aime suivre les d\u00e9rives de ses personnages, comme la cam\u00e9ra de son r\u00e9alisateur et on quitte \u00ab\u00a0Amarcord<\/strong>\u00a0\u00bb avec l’envie d’y revenir.<\/p>\n

\"\"<\/a><\/p>\n

Italie, quelque part dans un village, dans les ann\u00e9es 20\/30, alors que le fascisme est en train de monter peu \u00e0 peu, les enfants du village tra\u00eenent, vont \u00e0 l’\u00e9cole et font toutes les b\u00eatises que des gamins de leur \u00e2ge peuvent faire. L’un d’entre eux, Titta, va vivre bien plus que les autres \u00e0 travers ses rencontres hasardeuses ou programm\u00e9es.<\/p>\n

\u00c0 la d\u00e9couverte de \u00ab\u00a0Amarcord<\/strong>\u00ab\u00a0, les premiers mots qui viennent en t\u00eate, c’est d\u00e9cal\u00e9, burlesque, absurde et dr\u00f4le. Avec cette plong\u00e9e dans une Italie triste et chaleureuse, d\u00e9cal\u00e9e, voire barge, on se laisse totalement guider et s\u00e9duire par les envies folles et parfois sans queue ni t\u00eate de son r\u00e9alisateur.<\/p>\n

Dans \u00ab\u00a0Amarcord<\/strong>\u00ab\u00a0, \u00e7a fuse dans tous les sens, \u00e7a gueule, \u00e7a s’engueule, c’est hyst\u00e9rique, \u00e7a fantasme, \u00e7a fait des d\u00eeners en famille, \u00e7a fait la f\u00eate, \u00e7a se perd dans des arbres, parfois, c’est illogique, d’autres fois fou, et dr\u00f4lement fou, puis il y a du grotesque, du r\u00eave qui s’entrem\u00eale \u00e0 la r\u00e9alit\u00e9 ou aux souvenirs fantasm\u00e9s ou non. Bref, dans \u00ab\u00a0Amarcord<\/strong>\u00ab\u00a0, avec une nostalgie touchante et amoureuse, Federico Fellini<\/em> nous parle de la vie dans tout ce qu’elle peut avoir de plus simple, complexe ou exub\u00e9rant.<\/p>\n

Et cette vie, c’est \u00e0 travers les \u00ab\u00a0folles aventures\u00a0\u00bb de ce gamin qu’on rencontre et qui rencontre tout un tas de personnages tous plus surr\u00e9alistes les uns que les autres. Des personnages qui ont tous quelque chose de tellement particulier qu’on n’a pas envie de les oublier. Dr\u00f4le, m\u00e9chant, \u00e9go\u00efste ou g\u00e9n\u00e9reux, et m\u00eame s\u2019ils sont tous assez exub\u00e9rants dans leurs genres, chacun d’eux est \u00e9crit avec justesse, et interpr\u00e9t\u00e9 avec passion par ses com\u00e9diens. Une passion qui est m\u00eame touchante, tant elle respire la sinc\u00e9rit\u00e9. Fellini<\/em>, \u00e0 travers le personnage de Titta, nous entra\u00eene aussi dans les tranches de vie de ces personnages qu’il d\u00e9crit \u00e0 merveille.<\/p>\n

Ce qui est excellent aussi avec ce film, c’est que derri\u00e8re la com\u00e9die, derri\u00e8re les blagues de gamins \u00e0 l’\u00e9cole ou les fantasmes d’ados sur les belles femmes du village, Fellini<\/em>, tr\u00e8s en arri\u00e8re-plan, montre un visage acide du fascisme qui monte peu \u00e0 peu. Et c’est donc de mani\u00e8re presque logique que les r\u00eaves, les fantasmes, la folie de vivre, laisse place \u00e0 un ton plus s\u00e9rieux. Le film est toujours un r\u00e9gal, mais on sent aussi que Fellini<\/em> ne veut pas \u00eatre simplement d\u00e9lirant ou nostalgique, \u00ab\u00a0Amarcord<\/strong>\u00a0\u00bb a un fond, ce n’est pas que des tranches de vie qui s’encha\u00eenent.<\/p>\n

\u00ab\u00a0Amarcord<\/strong>\u00ab\u00a0, c’est aussi des com\u00e9diens extraordinaires, plus vrais que nature. On a l’impression que Fellini<\/em> a juste pos\u00e9 sa cam\u00e9ra autour d’eux et il la laiss\u00e9e aux gr\u00e8s de leurs vies. Comment ne pas tomber amoureux de Magali No\u00ebl, Armando Brancia<\/em> (ses exc\u00e8s m’ont vraiment fait mourir de rire, la sc\u00e8ne du d\u00eener est un best of \u00e0 elle seule) ou encore Maria Antonietta Beluzzi<\/em> et sa plus que g\u00e9n\u00e9reuse poitrine.<\/p>\n

\"\"<\/a><\/p>\n

\u00ab\u00a0Amarcord<\/strong>\u00ab\u00a0, c’est la vie dans tout ce qu’elle a de plus beau, de plus doux, mais aussi de plus fou, de plus triste et parfois de cruel. Et c’est donc avec plaisir que je me replongerais bient\u00f4t dans cette folie ambiante, dans cette ode \u00e0 la d\u00e9couverte, aux r\u00eaves et \u00e0 la vie tout simplement.<\/p>\n

Note\u00a0: 16\/20<\/strong><\/p>\n

[youtube]https:\/\/www.youtube.com\/watch?v=BtG9ZM-ZHnY[\/youtube]<\/p>\n

Par Cin\u00e9ted<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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