{"id":21509,"date":"2016-08-12T20:26:56","date_gmt":"2016-08-12T20:26:56","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=21509"},"modified":"2016-08-12T20:26:56","modified_gmt":"2016-08-12T20:26:56","slug":"clark-clark","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=21509","title":{"rendered":"Clark – Clark"},"content":{"rendered":"

\"o02f9Q3Q\"<\/a><\/p>\n

Avis\u00a0:<\/strong><\/p>\n

Comme tout genre musical, l\u2019\u00e9lectro a aussi droit \u00e0 ses sp\u00e9cificit\u00e9s et \u00e0 ses sous-genres. Si l\u2019on excepte les deux grandes familles que sont la techno et la house, la musique \u00e9lectronique jouit d\u2019une grande famille qui lui permet de rentrer dans diff\u00e9rentes cases et aussi de se m\u00e9langer \u00e0 d\u2019autres styles, comme le m\u00e9tal, le rap ou encore la pop. Seulement, quand on remonte l\u2019historique de la musique \u00e9lectro, on se rend tr\u00e8s vite compte que les genres vont affluer en fonction de leur but et de leur volont\u00e9. Ainsi va na\u00eetre deux grands genres, les morceaux plus house qui n\u2019ont pour unique but que de faire danser et les titres plut\u00f4t techno, o\u00f9 pr\u00e9vaut la volont\u00e9 de construire des morceaux plus complexes avec la recherche de musicalit\u00e9. C\u2019est alors que nait au d\u00e9but des ann\u00e9es 90 l\u2019IDm qui signifie l\u2019Intelligent Dance Music. Alors le terme est un peu galvaud\u00e9 et p\u00e8te certainement plus haut que son cul, mais il montre la volont\u00e9 de sortir du carcan commercial de la techno qui passe en boucle \u00e0 la radio ou dans les clubs. Bien \u00e9videmment, ce genre sort tout d\u2019abord en Angleterre, qui non content d\u2019\u00eatre le berceau du rock, devient aussi le couffin de la musique \u00e9lectro recherch\u00e9e.<\/p>\n

Chris Clark<\/strong> est un artiste anglais qui officie dans l\u2019IDM ou l\u2019Electronica, qui est en fait la m\u00eame chose que l\u2019IDM mais sous une d\u00e9nomination diff\u00e9rente. Il commence \u00e0 \u00e9merger \u00e0 l\u2019aube des ann\u00e9es 2000 et cet album \u00e9ponyme est son septi\u00e8me album studio, mais son cinqui\u00e8me sous le pseudonyme de Clark<\/strong>. Et m\u00eame si l\u2019on ne connait pas trop l\u2019univers de l\u2019artiste, cet effort est assez repr\u00e9sentatif de ce que le genre peut nous apporter, c\u2019est-\u00e0-dire des titres surprenants, des structures difficilement identifiables et quelques moments presque insoutenables malgr\u00e9 des tentatives de cr\u00e9er quelque chose de diff\u00e9rent. Non pas que l\u2019album soit mauvais, loin de l\u00e0, et m\u00eame un n\u00e9ophyte du genre pourra y trouver son compte, mais Clark<\/strong> part parfois tr\u00e8s loin dans le d\u00e9lire et offre des sonorit\u00e9s difficiles d\u2019acc\u00e8s avec des structures r\u00e9p\u00e9titives parfois aga\u00e7antes, \u00e0 l\u2019image de Sodium Trimmers<\/em>, qui pourrait s\u2019apparenter \u00e0 du hardcore ou encore Beacon<\/em> et son clavier ultra rapide qui ne laisse que peu de r\u00e9pit dans une \u00e9nergie extraterrestre d\u00e9bordante. On notera aussi quelques titres qui rappellent all\u00e8grement les ann\u00e9es 90, \u00e8re r\u00e9volutionnaire pour la musique \u00e9lectronique, avec quelques morceaux dont les sonorit\u00e9s \u00e9voquent rapidement cette \u00e9poque presque r\u00e9volue, comme par exemple Silvered Iris<\/em> et son rythme lancinant.<\/p>\n

\"23d733493cb8493b7c3979572dc8d9e3af89773fbebdc442e8952da1\"<\/a><\/p>\n

Mais il faut tout de m\u00eame comprendre qu\u2019avec cet album, Clark<\/strong> a voulu faire quelque chose de conceptuel et pr\u00e9senter un voyage initiatique dans un univers glacial, \u00e9pur\u00e9, \u00e0 l\u2019image de la musique \u00e9lectronique qui perd son humanit\u00e9 au profit d\u2019une rythmique ent\u00eatante et menant parfois \u00e0 un sentiment de perdition totale. En ce sens, cet album \u00e9ponyme est une r\u00e9ussite, notamment gr\u00e2ce \u00e0 son introduction Ship is Flooding<\/em>, qui fait penser \u00e0 \u00e9chouement de bateau dans une contr\u00e9e froide et d\u00e9sesp\u00e9r\u00e9e. Winter Linn<\/em> continue sur cette lanc\u00e9e, tout en gardant un beat tr\u00e8s marqu\u00e9 et surtout, une ligne conductrice qui n\u2019est pas sans rappeler un certain Kavinsky<\/strong> dans son ambiance r\u00e9tro 80 savoureuse. On garde aussi en t\u00eate une sorte de froideur dans la rythmique et le tour est jou\u00e9, on est embarqu\u00e9 dans un voyage inqui\u00e9tant et inhumain, posant les bases d\u2019une musique qui sent les codes et les lignes bleues pleines de pixels. Et si Unfurla<\/em>, le tube de l\u2019album, sera plus chaud, on aura toujours en arri\u00e8re-plan quelque chose qui fait \u00e9cho au froid ou au d\u00e9sert de glace. On notera que l\u2019on trouve ce cr\u00e9do sur quasiment tous les titres de l\u2019album, malgr\u00e9 quelques insertions dans d\u2019autres styles, comme There\u2019s a Distance in You<\/em> qui \u00e9voque la musique des jeux vid\u00e9o des ann\u00e9es 90 mais dans un univers compl\u00e8tement diff\u00e9rent. Enfin, Everlane<\/em> cl\u00f4ture cet album de mani\u00e8re a\u00e9rienne, comme si l\u2019aventurier que nous \u00e9tions vient de perdre la notion de temps et d\u2019espace dans une derni\u00e8re minute pleine de gr\u00e2ce et d\u2019\u00e9chos.<\/p>\n

Au final, Clark<\/strong>, le septi\u00e8me album de Clark<\/strong>, est un album int\u00e9ressant \u00e0 plu d\u2019un titre mais qui risque fort d\u2019en laisser plus d\u2019un sur le carreau, la faute \u00e0 une musique \u00e9lectronique complexe et qui ne vise absolument pas le succ\u00e8s commercial, bien au contraire. Volontairement underground, cet album se veut \u00e0 la fois planant et glacial, devenant un objet hybride qui correspond \u00e0 l\u2019IDM mais qui poss\u00e8de aussi quelques scories avec des morceaux aga\u00e7ants et trop r\u00e9p\u00e9titifs. Un album qui laisse un avis mitig\u00e9 mais qui m\u00e9rite que l\u2019on s\u2019y attarde.<\/p>\n

    \n
  1. Ship is Flooding<\/li>\n
  2. Winter Linn<\/li>\n
  3. Unfurla<\/li>\n
  4. Strenght Through Fragility<\/li>\n
  5. Sodium Trimmers<\/li>\n
  6. Banjo<\/li>\n
  7. Snowbird<\/li>\n
  8. The Grit in the Pearl<\/li>\n
  9. Beacon<\/li>\n
  10. Petroleum Tinged<\/li>\n
  11. Silvered Iris<\/li>\n
  12. There\u2019s a Distance in You<\/li>\n
  13. Everlane<\/li>\n<\/ol>\n

    Note\u00a0: 12\/20<\/strong><\/p>\n

    [youtube]https:\/\/www.youtube.com\/watch?v=XisOVzJ32_g[\/youtube]<\/p>\n

    Par AqME<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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