{"id":1721,"date":"2013-03-28T20:58:55","date_gmt":"2013-03-28T20:58:55","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=1721"},"modified":"2026-04-08T11:14:58","modified_gmt":"2026-04-08T11:14:58","slug":"hitchcock","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=1721","title":{"rendered":"Hitchcock"},"content":{"rendered":"
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\"\"\/<\/figure><\/div>\n\n\n

De :<\/b> Sacha Gervasi<\/p>\n\n\n\n

Avec :<\/b> Anthony Hopkins, Scarlett Johansson, Jessica Biel, Hellen Mirren, Toni Colette<\/p>\n\n\n\n

Genre : <\/b>Biopic<\/p>\n\n\n\n

Pays :<\/b> Etats-Unis<\/p>\n\n\n\n

Sc\u00e9nario:<\/b> Stephen Rebello, John J. McLaughlin<\/p>\n\n\n\n

R\u00e9sum\u00e9: <\/b><\/p>\n\n\n\n

Arriv\u00e9 au sommet de sa gloire, Alfred Hitchcock veut relever un nouveau d\u00e9fi. Las de tous ces films qui ont fait son succ\u00e8s, Hitch aimerait revenir \u00e0 un film plus simple, un film qui ne sent pas le pognon. Il d\u00e9couvre l\u2019histoire d\u2019Ed Gein par le biais d\u2019une critique du livre \u00ab Psycho \u00bb de Robert Bloch. Le livre lui a \u00e9norm\u00e9ment plu et il d\u00e9cida d\u2019en faire un film. Son entourage s\u2019indigne du fait qu\u2019Hitchcock veuille r\u00e9aliser un \u00ab minable film d\u2019horreur \u00bb. Mais Hitch tient bon, quitte \u00e0 financer le film lui-m\u00eame, rien ne le fera changer d\u2019avis, il r\u00e9alisera le film, quoi qu\u2019il arrive et quoi qu\u2019il lui en co\u00fbte\u2026<\/p>\n\n\n\n

Avis :<\/b><\/p>\n\n\n\n

Soyons honn\u00eate, l\u2019histoire n\u2019a rien de surprenant. Quand on a vu les bonus de \u00ab\u00a0Psychose\u00a0<\/b>\u00bb ou qu\u2019on a lu quelques articles sur \u00ab\u00a0le Ma\u00eetre du suspense<\/b>\u00a0\u00bb on n\u2019est gu\u00e8re \u00e9tonn\u00e9 par la trame du film. Pire on est m\u00eame parfois un peu d\u00e9\u00e7u que certains passages aient \u00e9t\u00e9 survol\u00e9s ou, pire, carr\u00e9ment oubli\u00e9 (il serait na\u00eff de croire que la sc\u00e8ne de la douche ait \u00e9t\u00e9 tourn\u00e9e en quelques minutes alors qu\u2019en vrai, la sc\u00e8ne a n\u00e9cessit\u00e9 70 prises diff\u00e9rentes\u00a0!!!). Cela dit, je suis bien conscient que dans un film, on ne peut pas s\u2019attarder sur tous les d\u00e9tails\u2026<\/p>\n\n\n

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\"\"<\/figure><\/div>\n\n\n

Le film reste tr\u00e8s agr\u00e9able \u00e0 regarder et est un vrai plaisir coupable pour tous les cin\u00e9philes. Bourr\u00e9 d\u2019anecdotes, on y apprend 1001 choses, notamment sur la mani\u00e8re dont se tournait un film \u00e0 l\u2019\u00e9poque, sur l\u2019addiction d\u2019Hitchcock<\/i> pour les jeunes actrices blondes, les extravagances de Hitch (il se faisait importer du caviar de Lorraine) ainsi qu\u2019un humour pince sans-rire \u00ab So british \u00bb qu\u2019on ne lui connaissait pas forc\u00e9ment (il \u00e9tait r\u00e9put\u00e9 pour \u00eatre un grand blagueur, en t\u00e9moigne cette farce \u00e0 la fin du m\u00e9trage lorsque Scarlett Johannson<\/i> retourne \u00e0 sa loge)<\/p>\n\n\n\n

En ce qui concerne les acteurs, ils sont tous tr\u00e8s convaincants. Le maquillage pour transformer Anthony Hopkins<\/i> est superbe, il r\u00e9ussit m\u00eame la prouesse de nous faire oublier qu\u2019il est l\u2019interpr\u00e8te inoubliable d\u2019Hannibal Lecter<\/b>\u2026 L\u2019acteur en fait parfois trop, notamment dans sa mani\u00e8re de formuler ses phrases pour tenter de s\u2019approprier un accent anglais convaincant, mais qui le force \u00e0 faire des grimaces avec la bouche\u2026 Scarlett Johannson<\/i> est aussi excellente, tout comme Jessica Biel<\/i> et que dire de Helen Mirren<\/i>, qui joue le r\u00f4le de la femme admirable qu\u2019\u00e9tait Alma, femme d\u00e9vou\u00e9e \u00e0 son mari, contrainte \u00e0 vivre dans son ombre. On se rend compte \u00e0 quel point elle a \u00e9t\u00e9 importante pour lui, tant intimement que professionnellement, et on distingue le mal fou qu\u2019Hitch avait \u00e0 d\u00e9clarer ses sentiments, en t\u00e9moigne cette sc\u00e8ne ou on le sent incapable de poser sa main sur l\u2019\u00e9paule de son aim\u00e9e. On y d\u00e9couvre \u00e9galement la formidable strat\u00e9gie de marketing qui a pr\u00e9c\u00e9d\u00e9 la sortie en salle de \u00ab\u00a0Psychose<\/b>\u00a0\u00bb, \u00a0l\u2019art de vendre un film (de qualit\u00e9)<\/p>\n\n\n

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\"\"<\/figure><\/div>\n\n\n

En bref, le film est tr\u00e8s agr\u00e9able \u00e0 suivre, que l\u2019on soit au fait ou non avec l\u2019histoire originale. En plus d\u2019\u00eatre tr\u00e8s beau, le film nous rend nostalgique, nostalgique d\u2019une \u00e9poque o\u00f9 le cin\u00e9ma sentait encore bon la sinc\u00e9rit\u00e9, d\u2019un cin\u00e9ma \u00e0 cent lieues du conformisme actuel, d\u2019un cin\u00e9ma fait pour le public et non pour l\u2019argent\u2026 Alfred Hitchcock<\/i> \u00e9tait d\u00e9finitivement un g\u00e9nie et ce film est un beau et respectueux hommage avec un beau clin d\u2019\u0153il au film \u00ab Les Oiseaux<\/b> \u00bb, autre grand film du Maitre du Suspense. Attention cependant, le film est \u00e0 voir en version originale, car la version fran\u00e7aise est tout simplement inaudible. Je sais, on dit tout le temps \u00e7a, mais dans ce cas-ci, c\u2019est vrai, la voie fran\u00e7aise d\u2019Anthony Hopkins <\/i>est compl\u00e8tement incompatible avec la prestance de son r\u00f4le, les gags tombent \u00e0 plat, tout comme l\u2019accent british tant travaill\u00e9 par notre Hannibal Lecter<\/b>\u2026 Apr\u00e8s visionnage, on n\u2019a qu\u2019une h\u00e2te, c\u2019est de se replonger dans ce monument du film d\u2019horreur, anc\u00eatre de tous les slashers : PSYCHOSE<\/b><\/p>\n\n\n\n

Note : 16\/20<\/b><\/p>\n\n\n\n

Par T<\/strong>rasher<\/strong><\/em><\/p>\n\n\n\n

[youtube]http:\/\/www.youtube.com\/watch?v=tHFxHWwHJTU[\/youtube]<\/p>\n","protected":false},"excerpt":{"rendered":"

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