{"id":1516,"date":"2013-03-15T19:06:37","date_gmt":"2013-03-15T19:06:37","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=1516"},"modified":"2013-03-15T19:10:44","modified_gmt":"2013-03-15T19:10:44","slug":"along-came-a-spider-if-we-were-normal-men","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=1516","title":{"rendered":"Along Came a Spider – If We Were Normal Men"},"content":{"rendered":"

\"12747\"<\/a><\/p>\n

Avis\u00a0:<\/b><\/p>\n

Quand on va dans les grandes surfaces ou dans les grands magasins de culture, on se demande parfois o\u00f9 elle est, la culture. Que ce soit dans les romans, les bandes-dessin\u00e9es, les jeux vid\u00e9o ou encore les disques, et m\u00eame dans les dvds, il devient de plus en plus dur de trouver certains groupes ou certains films un peu obscurs ou un peu vieillissants. V\u00e9n\u00e9rant le grand Dieu du profit et du billet vert, ces grandes enseignes ne s\u2019embarrassent pas avec de petits groupes ou de vieux films, sentant bien qu\u2019elles n\u2019en vendront pas beaucoup. Du coup, internet a pris le relai et ce n\u2019est pas \u00e9tonnant de voir certaines grandes enseignes d\u00e9poser le bilan \u00e0 cause d\u2019une absence d\u2019achat via le net. Outre le fait de pouvoir acheter sur n\u2019importe quel site de vente, internet, l\u2019ouvreur de culture et joyau de l\u2019anticapitalisme pour ceux qui le veulent, permet de d\u00e9couvrir de nouvelles choses alors inconnues ou de d\u00e9couvrir de vieux machins obscurs pourtant cultes pour une g\u00e9n\u00e9ration. Ainsi, Along Came a Spider n\u2019est pas seulement un thriller am\u00e9ricain avec Morgan Freeman<\/i> ou encore la chanson d\u2019un certain Alice Cooper<\/b>, c\u2019est aussi le nom d\u2019un groupe de m\u00e9tal am\u00e9ricain qui vient de sortir son premier album.<\/p>\n

Form\u00e9 en 2009 \u00e0 Cleveland dans l\u2019Ohio, Along Came a Spider<\/b> est compos\u00e9 de deux guitaristes chanteurs, d\u2019un chanteur, d\u2019un bassiste, d\u2019un batteur et d\u2019un clavier. Entrant dans la branche du post hardcore, genre vraiment en vogue en ce moment, et qui flirte du c\u00f4t\u00e9 de Memphis May Fire<\/b> ou encore de As I Lay Dying<\/b>. Apr\u00e8s un Ep fournit en 2011 et se nommant After the Silence<\/b>, le groupe donne fin 2012 If we Were Normal Men<\/b> compos\u00e9 de 12 pi\u00e8ces. Sans proposer quelque chose de nouveau, le groupe s\u2019en sort plut\u00f4t bien avec un album qui respire \u00e0 la fois la ma\u00eetrise mais aussi le commercial. La premi\u00e8re pi\u00e8ce annonce la couleur, avec un d\u00e9but brutal, violent o\u00f9 les riffs sont sauvages, les guitares satur\u00e9es et la voix grave. Inside the Kill Room<\/i> poss\u00e8de tout de m\u00eame certaines faiblesses qui d\u00e9montrent que cet album est le premier du groupe. La voix est souvent au m\u00eame niveau que les guitares et les parties chant\u00e9es demeurent presque inaudibles. L\u2019autre gros point faible de l\u2019album du groupe, outre le fait d\u2019engendrer certains morceaux purement commerciaux comme Vampire Robot Barbie Dolls<\/i>, c\u2019est de ne pas proposer de solos de guitare et de se contenter de faire le strict minimum en sch\u00e9ma constructif. Ainsi, tous les morceaux sont couplet, refrain, couplet, refrain. Si on entendre une belle ma\u00eetrise technique, notamment sur les guitares, les passages au clavier sont plus que dispensables, sonnant parfois faux comme dans Vampire Robot Barbie Dolls<\/i>. Par contre, certains morceaux sont plut\u00f4t bien et le rythme rentre bien en t\u00eate, comme F.A.A.D <\/i>ou encore Those Were The Droids you Were Looking For<\/i>.<\/p>\n

\"12655\"<\/a><\/p>\n

Qui dit post hardcore, dit alternance entre passage cri\u00e9 et passage chant\u00e9. N\u00e9anmoins, dans ce groupe, le chant clair pr\u00e9vaut sur les cris gutturaux, malgr\u00e9 ce que laissait esp\u00e9rer Inside the Kill Room<\/i>. Lors des chants cri\u00e9s, la musique suit vraiment bien et le chanteur laisse exploser la gravit\u00e9 de sa voix, qui rentre dans le moule de tout ce que l\u2019on peut entendre aujourd\u2019hui. Au niveau du chant clair, on aura droit \u00e0 des ch\u0153urs, histoire de rendre tout cela plus nerveux. Le chant est juste, a voix est assez belle, m\u00eame si cela reste vraiment trop \u00ab\u00a0pop\u00a0\u00bb comme I\u2019m the Best There is at What I Do (But What I Do Best Isn\u2019t Very Nice),<\/i> ou, hormis les moments graves, on aura droit \u00e0 un choix qui plaira aux jeunes demoiselles. On entendra aussi quelques influences, pas forc\u00e9ment d\u00e9gueulasses, mais dont on voit bien trop la r\u00e9f\u00e9rence, comme pour Bullet for my Valentine<\/b> par exemple.<\/p>\n

Au final, If we Were Normal Men<\/b> de Along Came a Spider<\/b> n\u2019est pas un album mauvais, mais il ne marque pas assez les esprits. Sortant quelques pistes int\u00e9ressantes, le reste demeure assez redondant et parfois bien trop commercial. On s\u2019int\u00e9ressera davantage \u00e0 Relapse on Tylenol <\/i>proposant un solo de guitare tr\u00e8s l\u00e9ger. Ressemblant \u00e0 All That Remains<\/b> ou encore \u00e0 d\u2019autres groupes de post hardcore sympathiques mais sans plus, il reste \u00e0 esp\u00e9rer que le groupe proposera quelques choses d\u2019un plus travaill\u00e9 la prochaine fois.<\/p>\n

    \n
  1. Inside the Kill Room<\/li>\n
  2. Those Were The Droids You Were Looking for<\/li>\n
  3. Vampire Robot Barbie Dolls<\/li>\n
  4. The Ballad of Danny Greene<\/li>\n
  5. Blood, Sweat, and Member Changes<\/li>\n
  6. F.A.A.D<\/li>\n
  7. Everybody Gets One<\/li>\n
  8. Relapse on Tylenol<\/li>\n
  9. I\u2019m Your Huckleberry<\/li>\n
  10. A Day in the Life of a Ginger<\/li>\n
  11. I\u2019m the Best There is at What I Do (But What I Do Best Isn\u2019t Very Nice)<\/li>\n
  12. Captain Clumsy Pants and the Epic Fail Brigade<\/li>\n<\/ol>\n

    Note: 12\/20<\/b><\/p>\n

    [youtube]http:\/\/www.youtube.com\/watch?v=-6kKDESHnEc[\/youtube]<\/p>\n","protected":false},"excerpt":{"rendered":"

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