{"id":11424,"date":"2014-11-09T15:36:04","date_gmt":"2014-11-09T15:36:04","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=11424"},"modified":"2014-11-09T15:36:04","modified_gmt":"2014-11-09T15:36:04","slug":"rancid-honor-is-all-we-know","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=11424","title":{"rendered":"Rancid – Honor is all we Know"},"content":{"rendered":"

\"Rancid_Honor_Is_All_We_Know_Album_Artwork\"<\/a><\/p>\n

Avis\u00a0:<\/strong><\/p>\n

A l\u2019aube des ann\u00e9es 90, le punk rock \u00e9tait encore \u00e0 l\u2019\u00e9tat de stade underground, o\u00f9 seule une poign\u00e9e d\u2019irr\u00e9ductibles s\u2019amusait \u00e0 pogoter sur un son de guitares \u00e9lectriques \u00e9nergiques. Commen\u00e7ant \u00e0 se faire un nom \u00e0 la fin des ann\u00e9es 80, Tim Armstrong<\/em> et Matt Freeman <\/em>forment tout d\u2019abord Operation Ivy<\/strong>, seul groupe de punk ins\u00e9rant de vrais morceaux de ska \u00e0 l\u2019int\u00e9rieur. Apr\u00e8s la s\u00e9paration du groupe (qui reste inconnue \u00e0 ce jour), Tim Armstrong<\/em> tombe dans la drogue et part deux fois en cure de d\u00e9sintoxication. Pour le sauver, Matt Freeman<\/em> d\u00e9cide de cr\u00e9er Rancid<\/strong>, un groupe punk, pour tenter d\u2019occuper Armstrong<\/em> de lui faire oublier la poudre blanche et les seringues. Et ce fut un vif succ\u00e8s, le chanteur\/guitariste allant jusqu\u2019\u00e0 dire que ce groupe lui a sauv\u00e9 la vie, car d\u00e8s leur Ep et leur premier album \u00e9ponyme en 1993, les critiques et retours sont tr\u00e8s bons. Souvent compar\u00e9 aux Clashs<\/strong>, le groupe prend une tournure plus ska avec l\u2019arriv\u00e9e d\u2019un nouveau chanteur, leur permettant de se d\u00e9marquer et sortir du lot. Leur plus gros succ\u00e8s \u00e0 ce jour reste \u2026And Out Come the Wolves<\/strong>. C\u2019est en 2003 que le groupe fait un hiatus, chaque membre partant avec d\u2019autres groupes, comme The Transplants<\/strong>, Social Distorsion<\/strong> ou encore Lars Frederiksen and the Bastards<\/strong>. Mais ce hiatus ne durera que trois ans, puisque Rancid<\/strong> rempile en 2006. Apr\u00e8s cinq ans sans nouvelles, le groupe revient cette ann\u00e9e avec un huiti\u00e8me album au titre \u00e9vocateur, Honor is all we Know<\/strong>, et c\u2019est un joli retour aux sources pour la bande.<\/p>\n

Dans la plus grande tradition punk, le groupe ouvre avec Back Where I Belong<\/em>. Energique, galvanisante, la chanson nous emm\u00e8ne dans les contr\u00e9es verdoyantes d\u2019une Irlande fantasm\u00e9e avec ce qu\u2019il faut de guitares et de basses. On sent que le groupe est en grande forme et malgr\u00e9 la courte dur\u00e9e du titre (et de l\u2019album en g\u00e9n\u00e9ral puisque le skeud dure un poil plus d\u2019une demi-heure), les paroles ont un \u00e9cho sur le devenir du groupe et la mentalit\u00e9 de cet effort, le groupe est de retour et il est au taquet. Et on va ressentir cela d\u00e8s le deuxi\u00e8me titre, Raise Your Fist<\/em>, qui manque surement de justesse au niveau du chant, mais qui montre une envie de r\u00e9bellion incroyable et qui demeure encore une fois ultra engageant, notamment sur les grattes mais aussi sur la batterie. Cet effet galvanisant, on le retrouve sur beaucoup d\u2019autres titres comme Collision Course<\/em>, A Power Inside<\/em> ou encore In the Streets <\/em>qui sont des titres nerveux, rapides et qui font honneur au punk des ann\u00e9es 80\/90. Rares sont les groupes qui peuvent maintenant faire un son aussi pur et sans fioritures alors que la mode est aux occlusions \u00e9lectros et autres machins pour plaire \u00e0 une majorit\u00e9 finalement inexistante.<\/p>\n

\"rancid_estevonoriol_770\"<\/a><\/p>\n

Bien entendu, le groupe n\u2019oublie son originalit\u00e9, la pr\u00e9sence de ska dans leurs compositions. C\u2019est ainsi que l\u2019on va retrouver Evil\u2019s my Friend<\/em> avec une guitare l\u00e9g\u00e8re, un rythme enjou\u00e9e et la pr\u00e9sence d\u2019un clavier qui rajoute un petit truc que l\u2019on ne retrouvera pas dans les autres titres. Tout comme dans Everybody\u2019s Sufferin\u2019<\/em> qui reste en de\u00e7\u00e0 du reste de l\u2019album \u00e0 cause d\u2019un rythme plus lent et d\u2019un clavier trop h\u00e9sitant, s\u2019ins\u00e9rant mal dans l\u2019\u00e9nergie de l\u2019album. Heureusement, c\u2019est r\u00e9solument l\u2019un des seuls titres un peu ennuyeux du titre qui d\u00e9borde d\u2019\u00e9nergie. N\u00e9anmoins, certains titres semblent trop classiques et passent un peu \u00e0 la trappe comme Malfunction<\/em> ou Now We\u2019re Through With You<\/em>. Par contre, le skeud contient deux incontournables. Le premier est Diabolical<\/em>, un titre un peu redondant, mais qui tient sur la longueur et qui devient rapidement ent\u00eatant. L\u2019autre morceau est Already Dead<\/em>, qui est tr\u00e8s nerveux, flirtant parfois avec le hard rock et surtout, il poss\u00e8de un refrain qui rentre imm\u00e9diatement en t\u00eate pour le plus l\u00e2cher le cerveau de l\u2019auditeur.<\/p>\n

Au final, Honor is all we Know<\/strong>, le dernier skeud de Rancid<\/strong> est une belle r\u00e9ussite, qui permet au groupe de montrer qu\u2019il est toujours sur le devant de la sc\u00e8ne et qu\u2019il poss\u00e8de toujours le feu sacr\u00e9 du punk. On pourra n\u00e9anmoins reprocher toutes les scories propres \u00e0 ce genre, comme une dur\u00e9e d\u2019\u00e9coute tr\u00e8s courte et des morceaux parfois vite oubliables \u00e0 cause, encore une fois d\u2019une dur\u00e9e ridicule. Mais il ne faut pas bouder son plaisir, surtout quand on voit le retour fracassant du groupe.<\/p>\n

    \n
  1. Back Where I Belong<\/li>\n
  2. Raise Your Fist<\/li>\n
  3. Collision Course<\/li>\n
  4. Evil\u2019s my Friend<\/li>\n
  5. Honor is all we Know<\/li>\n
  6. A Power Inside<\/li>\n
  7. In the Streets<\/li>\n
  8. Face Up<\/li>\n
  9. Already Dead<\/li>\n
  10. Diabolical<\/li>\n
  11. Malfunction<\/li>\n
  12. Now we\u2019re Through With You<\/li>\n
  13. Everybody\u2019s Sufferin\u2019<\/li>\n
  14. Grave Digger<\/li>\n<\/ol>\n

    Note\u00a0: 15\/20<\/strong><\/p>\n

    [youtube]https:\/\/www.youtube.com\/watch?v=9SCF1zbsBfU[\/youtube]<\/p>\n

    Par AqME<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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