{"id":10088,"date":"2014-09-26T19:22:22","date_gmt":"2014-09-26T19:22:22","guid":{"rendered":"http:\/\/www.lavisqteam.fr\/?p=10088"},"modified":"2014-09-26T19:22:22","modified_gmt":"2014-09-26T19:22:22","slug":"we-cant-go-home-again","status":"publish","type":"post","link":"https:\/\/www.lavisqteam.fr\/?p=10088","title":{"rendered":"We Can’t Go Home Again"},"content":{"rendered":"

\"093883.jpg-r_640_600-b_1_D6D6D6-f_jpg-q_x-xxyxx\"<\/a><\/p>\n

De\u00a0: <\/strong>Nicholas Ray<\/p>\n

Avec <\/strong>Nicholas Ray, Richard Bock, Tom Farrell, Danny Fisher<\/p>\n

Ann\u00e9e: <\/strong>1973<\/p>\n

Pays: <\/strong>Etats-Unis<\/p>\n

Genre: <\/strong>Exp\u00e9rimental<\/p>\n

R\u00e9sum\u00e9:<\/strong><\/p>\n

En 1972,\u00a0\u00e0 l’universit\u00e9 Suny\u00a0Binghamton, Nicholas Ray enseigne le cin\u00e9ma \u00e0 de jeunes \u00e9tudiants en les incitant \u00e0 faire un film sans sc\u00e9nario, mais inspir\u00e9 de leurs histoires personnelles et recourant \u00e0 diverses exp\u00e9rimentations.<\/p>\n

Avis:<\/strong><\/p>\n

Le cin\u00e9ma est souvent une affaire de go\u00fbt. Et dans ce sens, toute critique est subjective et rel\u00e8ve de la sensibilit\u00e9 de celui qui regarde et \u00e9crit. D\u2019ailleurs, sauf \u00e0 quelques rares exceptions, il est rare qu\u2019un film fasse l\u2019unanimit\u00e9 sauf si c\u2019est un navet inf\u00e2me ou encore un chef d\u2019\u0153uvre. Mais il y a autre chose qui rentre en ligne de cause, ce sont les domaines de sensibilit\u00e9. Le cin\u00e9ma s\u2019axe autour de trois points n\u00e9vralgiques, la peur, le rire ou la tristesse, et forc\u00e9ment, le spectateur, suivant son humeur, sa sensibilit\u00e9, sera plus ou moins touch\u00e9 par l\u2019un de ces trois piliers. C\u2019est pour cela que certaines personnes sont plus sensibles \u00e0 la com\u00e9die ou au drame. Cependant, il y a autre chose dans le cin\u00e9ma, de bien plus rare, c\u2019est le cin\u00e9ma exp\u00e9rimental. Sorte d\u2019hybride qui ne raconte pas forc\u00e9ment quelque chose mais qui utilise les images pour fournir autre chose qu\u2019un sc\u00e9nario, le cin\u00e9ma exp\u00e9rimental tient autant du trip visuel (Enter the Void<\/strong>) que de l\u2019hypnose d\u00e9nonciatrice (Koyaanisqatsi<\/strong>). Seulement, certains films exp\u00e9rimentaux semblent plus rat\u00e9s que d\u2019autres et malheureusement, le film posthume de Nicholas Ray fait partie de ceux-l\u00e0.<\/p>\n

\"A<\/a><\/p>\n

We Can\u2019t Go Home Again<\/strong> est le dernier film de Nicholas Ray<\/em>, film dans lequel il meurt d\u2019ailleurs, tout du moins pur de faux. C\u2019est assez difficile \u00e0 d\u00e9crire puisque le film ne raconte rien et ne d\u00e9nonce pas grand-chose. Ce que l\u2019on peut comprendre, c\u2019est que l\u2019on va suivre une bande de jeunes travaillant dans une universit\u00e9 et faisant des \u00e9tudes de cin\u00e9ma et ils ont Nicholas Ray<\/em> comme professeur. Le choix aurait pu \u00eatre plus d\u00e9gueulasse \u00e9tant donn\u00e9 qu\u2019il a quand m\u00eame r\u00e9alis\u00e9 La Fureur de Vivre <\/strong>ou encore Johnny Guitar<\/strong>. A partir de l\u00e0, il va demander aux \u00e9l\u00e8ves de faire un film sans sc\u00e9nario, sur leurs exp\u00e9riences personnelles et essayant divers proc\u00e9d\u00e9s et mat\u00e9riels. Ce qui pourrait appara\u00eetre comme un trip m\u00ealant \u00e9lan artistique et br\u00fblot sur la difficult\u00e9 de percer dans le m\u00e9tier et de faire un film, on n\u2019aura qu\u2019une mauvaise exp\u00e9rience incompr\u00e9hensible qui ne raconte rien et qui ne d\u00e9nonce rien.<\/p>\n

Le film d\u00e9bute sur des images d\u2019archive, parlant politique et syst\u00e8me de s\u00e9curit\u00e9 dans les beau pays de l\u2019oncle Sam. A ce moment-l\u00e0, on s\u2019attend \u00e0 un film d\u00e9nonciateur, mais il n\u2019en sera rien. L\u2019image est affreuse, le film n\u2019\u00e9tant qu\u2019un plan fixe par-dessus lequel, en plus petit, on a mis un \u00e9cran noir avec plusieurs chevauchements de plans. Le regard ne peut embrasser toutes les sc\u00e8nes, on e perd un petit peu dans tout ce qui saute \u00e0 l\u2019\u00e9cran et on aura un mal fou \u00e0 suivre. Au moment o\u00f9 les \u00e9l\u00e8ves arrivent, les images se brouillent, les couleurs passent par-dessus l\u2019image, rendant tout portrait impossible et on voit un changement de cam\u00e9ra assez insupportable. Tout cela sans rien raconter, superposant des images qui n\u2019ont pas grand int\u00e9r\u00eat. Sur la forme, le film est franchement horrible et on n\u2019aura qu\u2019un court passage en plein \u00e9cran et en clair qui ne sert pas \u00e0 grand-chose.<\/p>\n

Sur le fond, on a un peu la m\u00eame sensation qu\u2019avec la forme. A la fin du film, on aura tendance \u00e0 encore chercher le v\u00e9ritable message du film. On est face \u00e0 quelque chose qui devrais certainement critiquer le syst\u00e8me cin\u00e9matographique, ou tout du moins, la difficult\u00e9 de monter un film sans argent. On pourra ressentir cela sur la fin du m\u00e9trage, et m\u00eame si elle n\u2019a ni queue ni t\u00eate, on aura la sensation que Nicholas Ray a voulu montrer que le cin\u00e9ma est une question de vie ou de mort et que l\u2019on peut se perdre \u00e0 vouloir aller au bout de ses projets. Seulement, la forme est tellement incongrue que le message a du mal \u00e0 passer. Il est difficile aussi de voir de quelconques acteurs puisque ce sont vraiment les \u00e9tudiants de l\u2019\u00e9cole de cin\u00e9ma. On pourra peut-\u00eatre y d\u00e9celer la rupture que laisse certains acteurs entre r\u00f4le et r\u00e9alit\u00e9, notamment lorsque l\u2019on voit une \u00e9tudiante prendre son r\u00f4le trop \u00e0 c\u0153ur. Mais encore, le film ne racontant rien et n\u2019\u00e9tant pas joli \u00e0 voir, on sera plut\u00f4t atterr\u00e9 par ce passage qui rel\u00e8ve plus du grotesque que de l\u2019art.<\/p>\n

\"we-cant-go-home-again\"<\/a><\/p>\n

Au final, We Can\u2019t Go Home Again<\/strong> est une exp\u00e9rience relativement p\u00e9nible et peu engageante. On pourra m\u00eame dire que c\u2019est une \u0153uvre excluante qui ne sera appr\u00e9ci\u00e9e que part quelques fans du r\u00e9alisateur ou alors par des gens ayant un esprit tr\u00e8s ouvert. Sans histoire, avec une mise en sc\u00e8ne inexistante, essayant divers cam\u00e9ra et fa\u00e7on de filmer, on peut dire que le film joue avec nos yeux et nos nerfs et que visiblement, on peut vraiment passer \u00e0 c\u00f4t\u00e9. Cela dit, quand on regarde la carri\u00e8re de Nicholas Ray<\/em>, le bonhomme n\u2019avait plus grand-chose \u00e0 d\u00e9montrer tant sa filmographie est \u00e9norme.<\/p>\n

Note\u00a0: 03\/20<\/strong><\/p>\n

[youtube]https:\/\/www.youtube.com\/watch?v=I2sfsGZKj7s[\/youtube]<\/p>\n

Par AqME<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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